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Mackie Onyx16

In stock

€540.00

Weight	15.9 kg
features	<ul> <li>16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O</li> <li>Compatible with all major DAWs , including:</li> </ul> <p> Pro Tools®<br /> Logic®<br /> SONAR™<br /> Cubase®<br /> Ableton® Live<br /> Final Cut Pro®</p> <ul> <li>16 Onyx boutique-quality mic preamps</li> <li>4-band Perkins EQ with sweepable mids on mic/line channels</li> <li>Full 16×16 FireWire channel streaming for ultimate DAW integration</li> <li>Flexible FireWire routing , including aux sends , groups and pre/post EQ assignment for all channels</li> <li>6 aux sends with pre/post assignment and solo</li> <li>Smooth 60mm channel and master faders</li> <li>Built-in DI on first two channels for direct connection of guitars , bass , etc.</li> <li>Individual 48V phantom power switches on all mic inputs</li> <li>4-segment metering on every channel</li> <li>4-bus architecture for flexible sub-grouping of channels</li> <li>Talkback section for use with internal or external mic</li> <li>Rotating I/O pod for desktop or rackmount operation – rack ears included</li> <li>“Planet Earth” switching power supply for worldwide use</li> <li>Includes Tracktion 3™ Music Production Software for Mac or PC</li> </ul>
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The D&R Camcon Visual Radio Trigger Unit is the perfect automation tool for broadcasters who want to add a visual dimension to their audio content.

D&R Camcon

In stock

The Sonifex S2 is a modular broadcast mixer which offers digital audio quality with analogue reliability in a modular format.

Sonifex S2

In stock

Weight	2 kg
features	Assigning an Input Channel to an Output Bus – Switches at the top of the channel are used to select the output group routing , to either Program , Audition , or both output busses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix busses. The buttons illuminate green to indicate the routing status. Changing the Input Level – Coarse gain is set using pre-set potentiometers on the channel circuit board which allow unbalanced inputs to be used on mono and stereo line inputs. The front panel TRIM control allows fine gain of ±12dB. Changing the Signal Pan , or Balance – The BAL/PAN control is used on mono channels to pan the mono input signal in the stereo image and on stereo channels to balance the stereo image. CUE/PFL (Pre Fade Listen) – Selecting the CUE/PFL button routes the pre-fader input signal to the monitoring system where the signal can be heard via headphones and/or loudspeakers. The button lights green when CUE/PFL is active and a jumper option is available to cancel the CUE/PFL selection when the fader is raised. This button works with both a momentary and latched operation – if held down , the selection is cancelled on release , otherwise the button is alternate action. Fader Start & ON Button Control – The ON button works in conjunction with the 100mm long-throw carbon fader and is used to control channel remotes (e.g. starting a CD player) , routing and timers , etc. When unlit , the channel is off. Flashing red indicates that the channel has been selected to ON but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed” , ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively , with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON). Programmable Button Settings – To make the S2 modules as flexible as possible , every button on each channel can be set to a number of different modes to aid the use of the mixer and allow for extra functionality. Each button can be set to either operate manually , be permanently on , or permanently disabled. Also , the ON button can be configured to operate in a number of modes , altering remote start functions , and the channel ON function can be controlled remotely by automation playout systems , such as RCS® or VCS. Scribble Pad – A scribble pad is provided at the bottom of the channel for user labelling of the channel function.
specification	Technical Specification For S2 Input/Output Impedances Mic Input: > 1k5Ω electronically balanced Mono Line Input: > 20kΩ electronically balanced Stereo Line Input: > 20kΩ electronically balanced PGM & AUD Output: < 75Ω electronically balanced Mono Output: < 75Ω electronically balanced Monitor Outputs: < 75Ω unbalanced AES Input/Output: 110Ω S/PDIF Input/Output: 75Ω BNC Wordclock input: 50Ω Input/Output Gain Range Mic Input: Preset pot +13dB to +66dB ref -50dBu , TRIM pot ±12dB Mono Line Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Stereo Line Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Telco Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Telco Output: Preset pot -6dB to +4dB ref 0dBu Mix Minus Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Mix Minus Output: Preset pot -3dB to +3dB ref 0dBu Digital Input: 0dBFS = +12dBu on input; TRIM pot ±12dB allowing 0dBu to +24dBu Digital Output: 0dBFS = +18dBu Frequency Response Mic Input: 40Hz to 20kHz , -1dB , +0dB (-3dB at 130Hz with HPF in) Line Inputs: 20Hz to 20kHz , – 0.5dB , +0dB RIAA Input: 30Hz to 16kHz ±1.5dB RIAA equalised Noise (20Hz to 20kHz) Mic Input E.I.N.: -129dB with 150Ω source Stereo Inputs (fader down , no routing): -89dB ref 0dB Stereo Inputs (fader down , one channel routed): -89dB Stereo Inputs (unity gain , no routing): -89dB Stereo Inputs (unity gain , one channel routed): -86dB Stereo Inputs (unity gain , two channels routed): -83dB Distortion Total Harmonic Distortion: 0.015% at 1kHz , 0dB 0.025% at 10kHz , 0dB Crosstalk Inter-channel: < -90dBu Stereo: -90dBu at 1kHz Equalisation LF Shelving at 100Hz: ±7dB HF Shelving at 6.5kHz: ±7dB Range Pan Range: off/-3dB centre/off Balance Range: ±6dB Common Mode Rejection Ratio Mic Input: > 100dB at 70dB gain Digital I/O Sync Input Sample Rate: 30kHz – 100kHz Output Sample Rates (Using Onboard Clock): 32kHz , 44.1kHz , 48kHz , & 96kHz Output Sample Width: 16 , 20 , 24 bit (24 bit on V2 ODA/ODP) Output Headphone Output Load: >45Ω , 400Ω recommended Maximum Output (Analogue): +26dBu balanced into 2kΩ or greater Power Power (S2-PSU): Filtered IEC , switchable 115V , 230V , fused , 210W max. Dimensions (S2-PSU): 48cm (W) x 24.3cm (D) x 8.8cm (H) (Raw): 19” (W) x 10” (D) x 3.5” (H) Dimensions (S2-PSU): 51cm (W) x 41.5cm (D) x 17cm (H) (Boxed): 20” (W) x 16.3” (D) x 6.7” (H) Weight (S2-PSU): Nett: 6kg Gross: 7.8kg Nett: 13.2lbs Gross: 17lbs Dimensions (S2-PSUS): 48cm (W) x 23cm (D) x 4.4cm (H) (Raw): 19” (W) x 9” (D) x 1.7” (H) Dimensions (S2-PSUS): 55cm (W) x 39.3cm (D) x 8.5cm (H) (Boxed): 21.6” (W) x 15.5” (D) x 3.4” (H) Weight (S2-PSUS): Nett: 1.58kg Gross: 2kg Nett: 3.5lbs Gross: 4.4lbs
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The Sonifex RB-PMX4 A dual balanced converter that allows the user to convert two independent stereo inputs to two fully buffered mono outputs.

Sonifex RB-PMX4

In stock

Weight	2.2 kg
Dimensions	23 × 59 × 7 cm

Alice 538T

In stock

Alice Dual PPM Front

Alice Dual PPM Box

In stock

The Solidyne MX2100 portable mini- console is designed to provide a low-cost professional solution for broadcasting from outside locations.

Solidyne MX2100

In stock

Weight	1 kg
Dimensions	30 × 30 × 10 cm

The D&R WEBSTATION-USB is a professional-grade 6-channel USB broadcast mixer designed for radio stations, podcasters, web streamers, and content creators.

D&R WEBSTATION-USB

In stock

Weight	7.5 kg
Dimensions	45 × 40 × 21 cm

The Solidyne MiniMixer is a powerful, feature-packed solution for those who need professional-quality audio mixing in a compact form factor.

Solidyne MiniMixer

In stock

The Allen & Heath XB-14-2 offers a host of specialised broadcast features that normally come at a much higher price, including telephone communication (telco) channels, mic channel ON switch sensing, stereo channel start/cue outputs for playback device control, automatic muting of speaker outputs and much more.

Allen & Heath XB-14-2

In stock

Weight	11.5 kg
features	4 mic/line channels 4 Dual Source stereo channels 2 Telco channels HPF and 3-band , swept mid EQ on mono channels 2-band EQ on stereo channels Variable high pass / low pass filters on Telco channels Smooth-ride 100mm faders 2-stage , padless pre-amp design Fader-start sensing on mono channels Start/cue logic outputs on stereo channels External meter socket Separate headphones mix for engineer/producer and 2 guests Auto mutes on control room outputs Remote mute facility on mic channels Configurable USB stereo audio in/out Audition bus for auditioning and off-air recording Aux and separate stereo busses for processing/recording XLR main outputs with inserts Input signal and peak metering
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Allen & Heath Qu-16

In stock

€1,699.00

Weight	13.5 kg
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features	16 Mono Inputs (TRS + XLR) 3 Stereo Inputs (TRS) 4 Stereo FX Returns 16 Busses 12 Mix Outputs (LR , Mono Mix 1-4 , Stereo Mix 1-3) 4 FX Engines AES Digital Out 19” Rack Mountable Moving Faders Recallable AnaLOGIQ Preamps Qu-Drive direct Multitrack Recording / Playback on USB drives 800×480 Touchscreen iLive FX Library dSNAKE Remote Audio Port Compatible with ME Personal Mixing System Qu-Pad iPad App USB Audio Streaming DAW MIDI Control 4 Mute Groups Trim , polarity , HPF , gate , insert , 4-band PEQ , compressor and delay on all Inputs Insert , 4-band PEQ , 1/3 octave GEQ , compressor and delay on all Mix outputs Built-in Signal Generator RTA with Peak Band indication

The AEV BSM Evolution USB Compact On Air Console is a specialized broadcast console designed for professional broadcast applications.

AEV BSM Evolution USB

In stock

The D&R AIRLITE-USB MK2 is a broadcast on-air and production mixer aimed at environments such as community radio stations, internet radio, RSLs or commercial radio.

D&R AIRLITE-USB MK2

In stock

AEV MMS 3000

In stock

The Glensound GS-CU001B MkII, recognized globally as the premier commentary unit with outstanding features and an industry-standard design.

Glensound GS-CU001B MkII

In stock

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