Solidyne 2600

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Original price was: €10,870.00.Current price is: €10,350.00.
Weight 2 kg
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specification

Specifications

Audio Inputs
2 (two) stereo inputs each module;

One balanced stereo line (or mono Mic in 2610 & 2612); and one unbalanced AUX.

Option USB 2602

,

2 stereo Digital inputs & 2 stereo Digital outputs by USB

Inputs Level/Impedance
Balanced MIC= -25 dBu/-80 dBu; 150/250 Ohms

Balanced LINE = -20 dBu/+22 dBu; 600~ 10Kohms

Unbalanced AUX = -20 dBu/+15dBu; 600~ 10Kohms

Inserts for both MIC inputs in microphone modules.

Stereo insert for LINE A in LINE modules.

Phantom 48v
Standard phantom 48V power supply for up to 10 microphones.

Outputs
3 bus outputs; PGM & AUD balanced + 4 dBm;

AUX Unbalanced + 4 dBm

Balanced Outs; Max Level +26dBu (10K)

,

+20dBm (600ohms)

Unbalanced Outs; Max Level = +20dBm/600 ohms

Optional Digital AES/EBU output for PGM & AUD.

Digital Levels
AES-3/SPDIF outputs TCP/IP & USB inputs & outputs; 0VU RMS is set at -15dB Ref Full Scale level. 0dB Peak is set to 100% Full Digtal Scale

Monitor & Hybrid Outputs
1 Separate Hybrid CUE

,

+4dBu / 10K

1 Hybrid On-Air Receive + 4 dBu/10K

1 Hybrid send (MIX-Minus) +4 dBu / 10K

CUE Monitor
Internal Monitor Amplifiers: 3W CUE monitor with internal speaker. 2 Stereo Monitor outputs; Control Room & Studio

,

with Muting Relays (line level).

Microphone Processor
Optional MIC module model 2612

,

160mm wide

,

with 3 MIC with processing facilities. 4 band EQ

,

80 Hz and 10 kHz shelving

,

160 Hz & 5 kHz bell shaped; +/- 14 dB action. Expander Gate to eliminate backgound noise. Audio Compressor

,

20 dB action. Iluminated switchs for EQ and Compressor-Expander

Monitor & Hybrid Outputs
1 Separate Hybrid CUE

,

+4dBu / 10K

1 Hybrid On-Air Receive + 4 dBu/10K

1 Hybrid send (MIX-Minus) +4 dBu / 10K

Headroom
22 dB @ LIN to PGM Ref + 4dBu/10 k

Digital Control Bus
One Start Devices output for each input module

,

to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF = Open Manages 0-24 V DC @ 100 mA

Frequency response
20-20.000 Hz +/- 0.25 dB (LIN or MIC to PGM)

Noise
MIC input

,

EIN=-132 dBu/150 ohms

LINE input

,

S/N > 95 dBA at PGM output

Dynamic Range
From Line to PGM > 110dBA (Better than CD quality)

Crosstalk
PGM-AUD-SEND > 90 dBA @30-10.000 Hz

L-R & R-L > 80 dBA @ 1khz

Distortion
From LINE to PGM out < 0.01 % THD @30-15.000 Hz

From MIC to PGM out < 0.01 % THD @30-15.000 Hz

Phase
From Line to PGM

,

< 2º L&R @50-10.000 Hz

Stereo tracking
Below 0.2 dB error L/R in fader range 0 to 40 dB

Phone Hybrid
3 Hybrid inputs

,

2 for phone lines and one for cellular phone at 4 wires.
It includes a mini-PBX with Ringer

,

Line attention with free hands operation

,

and Line Transfer.

Talkback Microphone
Included Talkback MIC

,

with Audio Limiter. Noise Cancelled PZM type / Outputs to Phone Line Hybrid and Studio Speaker with AutoSwitch (AutoSwitch allows one-touch Studio communication)

VU-meters
2600XL: 4 digitally controlled VUmeters 24 steps of 1 dB

,

DUAL type (RMS & Peak) for PGM & AUD. One Timer/Clock and one
Stereo Phase Vector display

Timer /Clock Option
Timer counts minutes: seconds during on-air MIC in order to avoid excessive speaker on-air time When the Timer is off

,

a standard clock is activated

ON-AIR Signal
ON-AIR signal output (turns on when MIC is open) 12 VDC @ 0

,

3 amp

Start external devices
One Start Devices output for each input module

,

to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF= Open. Manages 0-24 VDC @ 100 mA. This allows to control Virtual Rack processors and start audio devices.

Power
110-127 V / 190-240V

,

with switch

,

50/60 hz

,

80 VA

Dimensions & Weight
XL model: 840 wide x 585 depth x 135 height – Weight 15 Kg

BOX : 90 x 65 x 25 cm

,

2 Kg

2600XD: 845mm wide

,

635mm depth

,

125 mm height – Weight 15 Kg

BOX: 90 x 70 x 20 cm

,

2 Kg

Solidyne D612

In stock

Original price was: €2,985.00.Current price is: €2,840.00.
Weight 4.7 kg
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specification

D612 Digital & Analog Console

Audio Inputs
4 balanced MIC inputs (XLR)

2 balanced stereo Line inputs (DIN 5)

3 unbalanced stereo Line inputs (RCA)

1 Digital stereo Line input (USB)

Inputs Level & Impedance
Balanced MIC= -10 dBu/-75 dBu; 150 / 250 Ohms

Balanced LINE = -20 dBu / +26 dBu; 600~ 10Kohms

Unbalanced LINE = -15 dBu / +12 dBu; 600~ 10Kohms

Phantom Power
Two MIC inputs have 48 V phantom power supply

,

switchable ON / OFF

Analog Outputs
2 bus stereo outputs; PGM (6

,

35mm

,

TRS plug) & REC (RCA connector)

Both at + 4 dBm = 0 VU

PGM balanced: Max Level +26dBu (10K)

,

+20dBm (600 ohms)

REC unbalanced

,

Max level 20 dBu

External Hybrid: unbalanced Mic-Minus out at + 4 dBu

Digital USB Input / Output
USB digital In/Out; Input to channel 5; Output to PGM or REC

It uses the K15 Overload recommendation for broadcating;

Then

,

0 VU is at -15 dB Full Scale level

ON-AIR Signal
ON-AIR Tally Light output (turns on when MIC is open)

12 V CC @ 0

,

12 amp (two Solidyne On-Air lights)

Monitor & Hybrid Outputs
1 Stereo Studio

,

0 dBu for active speakers

,

muted

1 Stereo Control

,

0 dBu for active speakers

,

muted

1 Stereo Studio Headphones

,

with Distribution AMP

up to 5 headphones

,

+ 10 dBu

1 Stereo Control Headphones

,

+ 10 dBu

1 External Hybrid send (MIX-Minus) +4 dBu / 10K

CUE Monitor
Internal CUE Monitor Amplifier; 250 mW

,

with speaker included

Headroom
22 dB @ LIN to PGM Ref + 4dBu/10 k

Frequency Response
20-20.000 Hz +/- 0.25 dB (LIN to PGM)

20-20.000 Hz +/- 0

,

5 dB (MIC to PGM)

MIC Equalizer
Four Bands MIC EQ with In/Out switch; 80 Hz top flat curve

,

160 Hz bell shaped

,

4 kHz bell shaped

,

8 kHz top flat curve

Action + 15 dB / -15 dB

MIC Compressor
Low distortion MIC compressor with In/Out switch. 20 dB max compression. Attack time < 10 ms.

Threshold = 0 VU

Compression ratio: < 2 dB variation for 15 dB change MIC level

Noise
MIC input

,

EIN=-120 dBu / 150 ohms

LINE input

,

S/N > 75 dBA

Dynamic Range
From Line to PGM > 90 dBA (CD quality)

Crosstalk
PGM-REC > 65 dBA @ 1 kHz

Distortion
From LINE to PGM out < 0.03 % THD @30-15.000 Hz

Phase
From Line to PGM

,

< 3º L&R @50-10.000 Hz

Stereo Tracking
Below 0.2 dB error L/R in fader range 0 to 40 dB

Telephone Hybrid Specs
Two channel telephone active Hybrid:

One phone line plus one cellular (Bluetooth linked)

Frequency Response: 200 – 5.000 Hz

Noise: > 60 dBA S/N

Rejection: > 35 dB rejection

NULL adjust in front panel preset

Preference atenuator: 12 dB local announcer interrupt priority

Telephone input lightning discharge safety
Telephone Hybrid input is transformer floating to meet the Public Telephone Service isolation standards. It is protected with SIOV Varistors against soft lightning discharges.

External gas discharge protection is recommended

Talkback Microphone
Included Talkback MIC

,

with Audio Limiter. Noise Cancelled PZM type.

Outputs to Phone Line Hybrid or Studio Speakers & Headphones.

VU-meters & Compression Level
2 x LED VUmeters for PGM. Cuasi peak reading

Microphone compressor level meter 0 – 15 dB

AoIP Optional TCP / IP Digital Streaming Output
Ethernet RJ45 connection to a standard LAN (Option /AoIP)

Used for sending D612 output to transmitter plant with MP3 Internet streaming or using a 5

,

8 GHz 802. Link

Also can be used for AoIP connection with another console located inside or outside studios

It can work in linear PCM at 44.1 & 48 kHz or MP3 VBR

On-Air information using GPIO for remote processors

AoIP Delay and user modes
MP3 Layer 1 (32

,

44.1 and 48 kHz)

MP3 Layer 2 (16

,

22.05 and 24 kHz)

16bit PCM uncompressed (8

,

16

,

32

,

44.1 & 48 kHz)

Full duplex (transmitting and receiving)

Delay using PCM at 48 kHz Fs (recommended) Less than 5 mS

Delay using MP3 streaming. Average 100 mS

Power
Switching external power supply 90-240 V

,

20VA [28V@0

,

57A]

Dimensions & Weight
Wide: 405 mm; Deep: 385 mm; Height: 95 mm at rear turret

Net Weight: 4.7 Kg

features

8 channels

,

with 5 faders with connectors (used to change it without soldering)
12 stereo inputs:

                  4 balanced MIC                   2 LIN balanced (DIN 5)

,

                   3 LIN unbalanced (RCA)

,

                   1 digital input USB

,

                   2 Hybrid telephone (RJ11 & Bluetooth)

,

                   1 Monitor Air (Jack 6.35 mm)

4 outputs stereo; 
a) Digital: A digital stereo USB output

,

selectable PGM or REC 
b) Analog: Program (PGM) balanced & Recordings (REC) unbalanced External Hybrid (In / Out).
5 Monitor Stereo Outputs

,

with muting logic; Speakers Studio

,

Studio Headphones (with Distributor Amplifier)

,

 
Control Speakers

,

Headphones Control

,

CUE mono (with amplifier and internal speaker). 
4 Band EQ Mic
Microphone Audio Compressor
Low Silhouette

,

flush mounting on any table without cutting it
Hybrid with Bluetooth wireless cellphone
Professional Attenuators 100mm Conductive Ceramic 15-year life
Option AoIP to transmit digital audio over Ethernet / Internet
External switching power supply: 90-240 V / / 50 / 60 Hz Output: 28 V 0

,

55 A

AEQ FORUM IP Split

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D&R AIRMATE-12

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D&R AIRMATE-8 USB

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Weight 11 kg
Dimensions 46 × 57 × 21 cm

Solidyne DX816

In stock

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Weight 10 kg
Dimensions 50 × 60 × 18 cm

Solidyne DX822

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D&R Camcon

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Sonifex S2

In stock

Original price was: €7,455.00.Current price is: €7,100.00.
Weight 2 kg
features

Assigning an Input Channel to an Output Bus – Switches at the top of the channel are used to select the output group routing

,

to either Program

,

Audition

,

or both output busses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix busses. The buttons illuminate green to indicate the routing status.
Changing the Input Level – Coarse gain is set using pre-set potentiometers on the channel circuit board which allow unbalanced inputs to be used on mono and stereo line inputs. The front panel TRIM control allows fine gain of ±12dB.
Changing the Signal Pan

,

or Balance – The BAL/PAN control is used on mono channels to pan the mono input signal in the stereo image and on stereo channels to balance the stereo image.
CUE/PFL (Pre Fade Listen) – Selecting the CUE/PFL button routes the pre-fader input signal to the monitoring system where the signal can be heard via headphones and/or loudspeakers. The button lights green when CUE/PFL is active and a jumper option is available to cancel the CUE/PFL selection when the fader is raised. This button works with both a momentary and latched operation – if held down

,

the selection is cancelled on release

,

otherwise the button is alternate action.
Fader Start & ON Button Control – The ON button works in conjunction with the 100mm long-throw carbon fader and is used to control channel remotes (e.g. starting a CD player)

,

routing and timers

,

etc. When unlit

,

the channel is off. Flashing red indicates that the channel has been selected to ON but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed”

,

ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively

,

with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON).
Programmable Button Settings – To make the S2 modules as flexible as possible

,

every button on each channel can be set to a number of different modes to aid the use of the mixer and allow for extra functionality. Each button can be set to either operate manually

,

be permanently on

,

or permanently disabled. Also

,

the ON button can be configured to operate in a number of modes

,

altering remote start functions

,

and the channel ON function can be controlled remotely by automation playout systems

,

such as RCS® or VCS.
Scribble Pad – A scribble pad is provided at the bottom of the channel for user labelling of the channel function.

specification

Technical Specification For S2

Input/Output Impedances

Mic Input:
> 1k5Ω electronically balanced

Mono Line Input:
> 20kΩ electronically balanced

Stereo Line Input:
> 20kΩ electronically balanced

PGM & AUD Output:
< 75Ω electronically balanced

Mono Output:
< 75Ω electronically balanced

Monitor Outputs:
< 75Ω unbalanced

AES Input/Output:
110Ω

S/PDIF Input/Output:
75Ω

BNC Wordclock input:
50Ω

Input/Output Gain Range

Mic Input:
Preset pot +13dB to +66dB ref -50dBu

,

TRIM pot ±12dB

Mono Line Input:
Preset pot -6dB to +10dB ref 0dBu

,

TRIM pot ±12dB

Stereo Line Input:
Preset pot -6dB to +10dB ref 0dBu

,

TRIM pot ±12dB

Telco Input:
Preset pot -6dB to +10dB ref 0dBu

,

TRIM pot ±12dB

Telco Output:
Preset pot -6dB to +4dB ref 0dBu

Mix Minus Input:
Preset pot -6dB to +10dB ref 0dBu

,

TRIM pot ±12dB

Mix Minus Output:
Preset pot -3dB to +3dB ref 0dBu

Digital Input:
0dBFS = +12dBu on input; TRIM pot ±12dB allowing 0dBu to +24dBu

Digital Output:
0dBFS = +18dBu

Frequency Response

Mic Input:
40Hz to 20kHz

,

-1dB

,

+0dB (-3dB at 130Hz with HPF in)

Line Inputs:
20Hz to 20kHz

,

– 0.5dB

,

+0dB

RIAA Input:
30Hz to 16kHz ±1.5dB RIAA equalised

Noise (20Hz to 20kHz)

Mic Input E.I.N.:
-129dB with 150Ω source

Stereo Inputs (fader down

,

no routing):
-89dB ref 0dB

Stereo Inputs (fader down

,

one channel routed):
-89dB

Stereo Inputs (unity gain

,

no routing):
-89dB

Stereo Inputs (unity gain

,

one channel routed):
-86dB

Stereo Inputs (unity gain

,

two channels routed):
-83dB

Distortion

Total Harmonic Distortion:
0.015% at 1kHz

,

0dB

0.025% at 10kHz

,

0dB

Crosstalk

Inter-channel:
< -90dBu

Stereo:
-90dBu at 1kHz

Equalisation

LF Shelving at 100Hz:
±7dB

HF Shelving at 6.5kHz:
±7dB

Range

Pan Range:
off/-3dB centre/off

Balance Range:
±6dB

Common Mode Rejection Ratio

Mic Input:
> 100dB at 70dB gain

Digital I/O

Sync Input Sample Rate:
30kHz – 100kHz

Output Sample Rates (Using Onboard Clock):
32kHz

,

44.1kHz

,

48kHz

,

& 96kHz

Output Sample Width:
16

,

20

,

24 bit (24 bit on V2 ODA/ODP)

Output

Headphone Output Load:
>45Ω

,

400Ω recommended

Maximum Output (Analogue):
+26dBu balanced into 2kΩ or greater

Power

Power (S2-PSU):
Filtered IEC

,

switchable 115V

,

230V

,

fused

,

210W max.

Dimensions (S2-PSU):
48cm (W) x 24.3cm (D) x 8.8cm (H)

(Raw):
19” (W) x 10” (D) x 3.5” (H)

Dimensions (S2-PSU):
51cm (W) x 41.5cm (D) x 17cm (H)

(Boxed):
20” (W) x 16.3” (D) x 6.7” (H)

Weight (S2-PSU):
Nett: 6kg Gross: 7.8kg

Nett: 13.2lbs Gross: 17lbs

Dimensions (S2-PSUS):
48cm (W) x 23cm (D) x 4.4cm (H)

(Raw):
19” (W) x 9” (D) x 1.7” (H)

Dimensions (S2-PSUS):
55cm (W) x 39.3cm (D) x 8.5cm (H)

(Boxed):
21.6” (W) x 15.5” (D) x 3.4” (H)

Weight (S2-PSUS):
Nett: 1.58kg Gross: 2kg

Nett: 3.5lbs Gross: 4.4lbs

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