Weight	1.5 kg
Dimensions	36 × 21 × 6 cm
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specification	Technical Specification For RB-MM1 Audio Specification Maximum Input Level: +28dBu Input Impedance: >20kΩ Maximum Output Level: +28dBu Output Impedance: <50Ω Output Gain Range: Adjustable -15dB to +12dB , ref 0dBu gain via a multi-turn pot Common Mode Rejection: >60dB Band Pass Filter Range: 200Hz to 4kHz , 12dB/octave LF Null Adjustment: Better than 40dB at 100Hz Mix-Minus Null: Better than 40dB at 1kHz Frequency Response: 20Hz – 22kHz ± 0.1dB Distortion: 0.01% THD @ 1kHz , ref +8dBu output (C-Message weighted) Noise: -90dBu unity gain +6dBu Connections Analogue Inputs From Mixer Output: 2 x XLR 3 pin female (balanced) (L & R) Analogue Input From Telephone Fader: 1 x XLR 3 pin female (balanced) (L & R) Analogue Output To TBU: 1 x XLR 3 pin male (balanced) (L & R) Mains Input: Filtered IEC , switchable 110-120V , or 220-240V , fused , 6W max. Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC) Equipment Type RB-MM1: Mix-minus generator Physical Specification Dimensions (Raw): 28cm (W) x 10.8cm (D) x 4.3cm (H) 11” (W) x 4.3” (D) x 1.7” (H) Dimensions (Boxed): 36cm (W) x 20.5cm (D) x 6cm (H) 14.2” (W) x 8” (D) x 2.4” (H) Weight: Nett: 1.1kg Gross: 1.5kg Nett: 2.4lbs Gross: 3.3lbs

Weight	15.9 kg
features	<ul> <li>16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O</li> <li>Compatible with all major DAWs , including:</li> </ul> <p> Pro Tools®<br /> Logic®<br /> SONAR™<br /> Cubase®<br /> Ableton® Live<br /> Final Cut Pro®</p> <ul> <li>16 Onyx boutique-quality mic preamps</li> <li>4-band Perkins EQ with sweepable mids on mic/line channels</li> <li>Full 16×16 FireWire channel streaming for ultimate DAW integration</li> <li>Flexible FireWire routing , including aux sends , groups and pre/post EQ assignment for all channels</li> <li>6 aux sends with pre/post assignment and solo</li> <li>Smooth 60mm channel and master faders</li> <li>Built-in DI on first two channels for direct connection of guitars , bass , etc.</li> <li>Individual 48V phantom power switches on all mic inputs</li> <li>4-segment metering on every channel</li> <li>4-bus architecture for flexible sub-grouping of channels</li> <li>Talkback section for use with internal or external mic</li> <li>Rotating I/O pod for desktop or rackmount operation – rack ears included</li> <li>“Planet Earth” switching power supply for worldwide use</li> <li>Includes Tracktion 3™ Music Production Software for Mac or PC</li> </ul>
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Weight	2 kg
features	Assigning an Input Channel to an Output Bus – Switches at the top of the channel are used to select the output group routing , to either Program , Audition , or both output busses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix busses. The buttons illuminate green to indicate the routing status. Changing the Input Level – Coarse gain is set using pre-set potentiometers on the channel circuit board which allow unbalanced inputs to be used on mono and stereo line inputs. The front panel TRIM control allows fine gain of ±12dB. Changing the Signal Pan , or Balance – The BAL/PAN control is used on mono channels to pan the mono input signal in the stereo image and on stereo channels to balance the stereo image. CUE/PFL (Pre Fade Listen) – Selecting the CUE/PFL button routes the pre-fader input signal to the monitoring system where the signal can be heard via headphones and/or loudspeakers. The button lights green when CUE/PFL is active and a jumper option is available to cancel the CUE/PFL selection when the fader is raised. This button works with both a momentary and latched operation – if held down , the selection is cancelled on release , otherwise the button is alternate action. Fader Start & ON Button Control – The ON button works in conjunction with the 100mm long-throw carbon fader and is used to control channel remotes (e.g. starting a CD player) , routing and timers , etc. When unlit , the channel is off. Flashing red indicates that the channel has been selected to ON but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed” , ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively , with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON). Programmable Button Settings – To make the S2 modules as flexible as possible , every button on each channel can be set to a number of different modes to aid the use of the mixer and allow for extra functionality. Each button can be set to either operate manually , be permanently on , or permanently disabled. Also , the ON button can be configured to operate in a number of modes , altering remote start functions , and the channel ON function can be controlled remotely by automation playout systems , such as RCS® or VCS. Scribble Pad – A scribble pad is provided at the bottom of the channel for user labelling of the channel function.
specification	Technical Specification For S2 Input/Output Impedances Mic Input: > 1k5Ω electronically balanced Mono Line Input: > 20kΩ electronically balanced Stereo Line Input: > 20kΩ electronically balanced PGM & AUD Output: < 75Ω electronically balanced Mono Output: < 75Ω electronically balanced Monitor Outputs: < 75Ω unbalanced AES Input/Output: 110Ω S/PDIF Input/Output: 75Ω BNC Wordclock input: 50Ω Input/Output Gain Range Mic Input: Preset pot +13dB to +66dB ref -50dBu , TRIM pot ±12dB Mono Line Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Stereo Line Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Telco Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Telco Output: Preset pot -6dB to +4dB ref 0dBu Mix Minus Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Mix Minus Output: Preset pot -3dB to +3dB ref 0dBu Digital Input: 0dBFS = +12dBu on input; TRIM pot ±12dB allowing 0dBu to +24dBu Digital Output: 0dBFS = +18dBu Frequency Response Mic Input: 40Hz to 20kHz , -1dB , +0dB (-3dB at 130Hz with HPF in) Line Inputs: 20Hz to 20kHz , – 0.5dB , +0dB RIAA Input: 30Hz to 16kHz ±1.5dB RIAA equalised Noise (20Hz to 20kHz) Mic Input E.I.N.: -129dB with 150Ω source Stereo Inputs (fader down , no routing): -89dB ref 0dB Stereo Inputs (fader down , one channel routed): -89dB Stereo Inputs (unity gain , no routing): -89dB Stereo Inputs (unity gain , one channel routed): -86dB Stereo Inputs (unity gain , two channels routed): -83dB Distortion Total Harmonic Distortion: 0.015% at 1kHz , 0dB 0.025% at 10kHz , 0dB Crosstalk Inter-channel: < -90dBu Stereo: -90dBu at 1kHz Equalisation LF Shelving at 100Hz: ±7dB HF Shelving at 6.5kHz: ±7dB Range Pan Range: off/-3dB centre/off Balance Range: ±6dB Common Mode Rejection Ratio Mic Input: > 100dB at 70dB gain Digital I/O Sync Input Sample Rate: 30kHz – 100kHz Output Sample Rates (Using Onboard Clock): 32kHz , 44.1kHz , 48kHz , & 96kHz Output Sample Width: 16 , 20 , 24 bit (24 bit on V2 ODA/ODP) Output Headphone Output Load: >45Ω , 400Ω recommended Maximum Output (Analogue): +26dBu balanced into 2kΩ or greater Power Power (S2-PSU): Filtered IEC , switchable 115V , 230V , fused , 210W max. Dimensions (S2-PSU): 48cm (W) x 24.3cm (D) x 8.8cm (H) (Raw): 19” (W) x 10” (D) x 3.5” (H) Dimensions (S2-PSU): 51cm (W) x 41.5cm (D) x 17cm (H) (Boxed): 20” (W) x 16.3” (D) x 6.7” (H) Weight (S2-PSU): Nett: 6kg Gross: 7.8kg Nett: 13.2lbs Gross: 17lbs Dimensions (S2-PSUS): 48cm (W) x 23cm (D) x 4.4cm (H) (Raw): 19” (W) x 9” (D) x 1.7” (H) Dimensions (S2-PSUS): 55cm (W) x 39.3cm (D) x 8.5cm (H) (Boxed): 21.6” (W) x 15.5” (D) x 3.4” (H) Weight (S2-PSUS): Nett: 1.58kg Gross: 2kg Nett: 3.5lbs Gross: 4.4lbs
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Weight	2.2 kg
Dimensions	23 × 59 × 7 cm

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