Solidyne AudiMax 362HD

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Weight 5 kg
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specification

Technical Specifications

Analog Input
XLR3 conector

,

level self-adjusted -6 dBu to + 15 dBu Z= 600 / 10 Kohms

,

balanced

Analog Output Balanced

,

+ 4 dBu Z= 600 / 10 Kohms

,

with de-emphasis (flat response)

MPX Output
600/10 Kohms

,

factory set level to standard 4 Vpp Differential output

,

BNC connector

,

floating ground 50 ohms Allows 45 dB canceling buzz & noise due to ground loops

Frequency Response
20 – 16.000 Hz +/- 0

,

5 dB measured below compression & limiter threshold

Harmonic Distortion
Below 0

,

02 % @ 30-15.000Hz

Noise
Below – 90 dBA ref 100 % modulation

Stereo Separation
> 75 dBA

Subsonic Filter
Chebyshev 2nd order

,

15 Hz

Asymmetry
Cancelling 5 : 1 cancelling effect

,

using Khann-Bonello system

Expander
10:1 slope

,

0

,

1 msec attack time

,

200
msec release

AGC (wideband)
VCA controlled

,

30 dB range

,

3 sec attack/release

Multiband Compressors
3 bands

,

18 B/octave

,

Linear Phase crossover. Compressors: 30 dB range

,

5:1 slope

,

VCA controlled Automatic attack time. Release time user controlled by 3 x ENERGY controls

IM Cancelled
Clipper IM clipper cancellation > 30 dB below 250 hz

Dynamic EQ
0 – 12 dB dynamic boost at Low

,

Mid and High Frecuency Front panel user controlled

Processing
7 stages of processing devices

Power
115 V / 230 V (rear switch selected) 50/60 Hz

,

20 W

Dimensions
19" rack mount. Module one (44

,

4 mm).

Solidyne 542APC

In stock

Original price was: €3,440.00.Current price is: €3,275.00.
Weight 5 kg
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specification

Technical Specifications

Analog Input
600/10 K balanced XLR 50 dB CM Rejection 20-15 Khz. Input level selected by software in 1 dB steps. Sigma-Delta converters 24 bits / 192 Khz

Digital Input
Optional AES-3 digital balanced input Z=110 ohms. Automatic selection of 32

,

44

,

1

,

48

,

96 & 192 Khz with sample rate converter (128 dB Dynamic Range

,

-117 dB THD) to avoid jitter

Analog Output
600 balanced XLR

,

output level +4 dBm Sigma-Delta converters 24 bits / 192 Khz

Digital Output
Optional AES-3 digital balanced output

,

Z=110 ohms FS=48 or 96 Khz

,

selected by software

MPX Output
From 2 Vpp to 5 Vpp in 0.2 steps

Processing Technology
DSP (Digital Signal Processing). Total CPU power 2.700 MIPS

MPX Post-Processing
SuperModulation exclusive Solidyne technology

,

at 608 Khz oversampling. Fast clipper DC-10 Mhz wideband channel to avoid audible artifacts

Frequency Response
20-15.000 Hz +/-0.25 dB. Flat mode XLR out or digital AES-3 Out. Output without pre-emphasis

Harmonic Distortion (THD)
THD below 0.008 % (30-15 Khz

,

Flat Mode)

Noise
Dynamic Range= 95 dBA

Stereo Separation
75 dBA @ 1 KHz: > 65 dBA @ 30-15.000 Hz

Subsonic Filter
Chebyshev FC=20 Hz 25 dB rejection at 10 Hz

Asymmetry Canceling
Phase processing technology with Kahn-Bonello algorithms. Cancelling Factor=8:1

Linear Expander
Range=20 dB Attack & Release time software controlled

Gated Wide-Band AGC
Range=30 dB. Attack / Release time & Threshold controlled from LCD screen

Multiband Compressors
DSP controlled. Five Bands

,

Crossover= 24dB/oct Max compression = 30dB. Slope = 10:1

Compressors Attack/Release Time
Attack and Release controlled separately

IM Canceled Clipper
IM canceling factor : greater than 30 dB below 250 Hz

Fast Clipper
Four channels

,

absolutely alias free using DC-10 Mhz bandwidth channel

Density Equalizer
Four bands density equalizer with 15 dB range at the output of multiband compressors

Low pass filter
15 Khz digital low pass FIR filter

,

60 dB rejection at 19 Khz

Storage of Preset Settings
30 programs that can be changed on-air from PC computer using the 462dsp serial port

RS-232 PC control
RS232 serial port. It can be connected to USB bus with optional external adapter. Optional Ethernet bus connection

Super Modulation
MPX processing for stereo interleaving

,

allows for 130% L & R audio level at 100% modulation

RS-232 PC control
Yes. It includes free Windows 2000/XP software

AM FM compatible
The user can change the processor's AM/FM firmware chips. Only two socket mounted Flash EPROM IC's have to be replaced. Stereo coder is a separate module

Processing Bands and stages
Five processing bands / Nine processing stages

LCD Display
Blue color

,

LCD display with backlight. Graphic type Resolution 240 x 64

RDS Encoder
Optional built in RDS encoder

Power
90/127V and 190/230V; 50/60 Hz

,

selectable from rear panel

Dimensions
483 mm Wide 240 mm Deep

,

88 mm High

Omnia.11 FM

In stock

Original price was: €13,960.00.Current price is: €13,295.00.
Weight 16.3 kg
Dimensions 51 × 48 × 18 cm

AEV Xtreme-6

In stock

Original price was: €2,940.00.Current price is: €2,800.00.

Orban OPTIMOD-PC 1101e

In stock

Original price was: €1,780.00.Current price is: €1,695.00.
Weight 2 kg
Dimensions 15 × 20 × 5 cm
features

Orban Optimod-PC 1101 Main Features:

Dramatically improve audio consistency dynamically with that world-renowned Optimod sound
Most universal professional audio card with features not found anywhere else 
Prevents the top listener complaints: loudness variation and program inconsistency
Now two sound cards in one

,

for professional content/commercial insertion systems

,

and watermark encoding
Dedicated onboard DSP saves host computer CPU cycles for more streaming encoders and ensures against audio gaps or dropouts
Network control of audio routing

,

mixing

,

and processing 
CBS Loudness Controller controls subjective loudness to ATSC A/85:2011 and EBU R 128 standards

specification

System

Number of Audio Processors
One stereo or two independent mono audio processors

,

each consisting of the following cascaded processing elements: Internal Processing: Input —>Stereo Enhancer —>Two-Band defeatable AGC with window gating —>Five-Band Equalizer/HF Enhancer —>Multiband Compressor —>Look-ahead Limiter —> Automatic Loudness Controller —>Output.

Number of Channels:
The 1101 audio driver allows it to appear as two standard sound devices to the computer operating system. Each of the two sound devices can handle one stereo channel or two mono channels. The channels can be mixed and routed via a three-bus mixer ("Processed

,

" "Direct 1

,

" and "Direct 2")

,

however 1101 can only apply stereo or dual-mono audio processing to the output of the "Processed" bus. The remaining two "Direct" busses are applied to the Output Routing Switcher but cannot be further processed. See block diagram.

Frequency Response:
±0.1dB

,

2-20

,

000Hz

Input/Output Delay:
Adjustable from 25 ms to 62 ms in 1 ms steps. Presets available for one frame of: 30 fps (33.33ms)

,

29.97 fps (NTSC color video; 33.37ms)

,

25 fps (most PAL video; 40ms)

,

and 24 fps (film; 41.67ms). "Minimum" delay is also available; this delay will vary according to the processing structure in use and crossover mode settings.

Internal Filters:
10

,

11

,

12

,

13

,

14

,

15

,

and 20kHz can be used to provide additional anti-aliasing for low sample rate services

,

such as Internet Streaming Encoders

,

Eureka-147 (24kHz mode)

,

iBiquity HD-AM (32kHz) and Digital Radio Mondiale.

Internal Sample Rate:
48kHz.

Wave Sample Rate:
8-96kHz.

Internal Resolution:
24-bit fixed point (3 x Freescale DSP56367).

Input/Output Resolution:
24-bit.

Peak Control Accuracy:
If output samples are synchronous with internal samples

,

maximum overshoot of any output sample is 0.1dB. This is true at 48kHz output sample rate. If sample rate conversion after internal processing makes output samples asynchronous with internal samples

,

output samples can overshoot as much as 1dB (0.3dB typical).

Phase Response:
All processing is linear-phase (constant group delay).

AGC (Automatic Gain Control):
±12dB/24dB gain range

,

Two-Band

,

Gate and Window enabled.

Stereo Enhancer:
Two styles available: (1) Orban-patented L-R dynamic expansion triggered by L+R transients; (2) L-R delay.

Equalizers:
Shelving Low Bass EQ

,

selectable 6 dB

,

12dB or 18dB/octave. Three-band Parametric EQ with analog-style bell-shaped curves. Program Adaptive HF Enhancer.

Multiband Compressors:
-24dB gain range

,

Five-Band and Two-Band

,

selectable by mute-free crossfade.

Limiter:
-12dB gain range

,

Look-ahead IM distortion reduced

,

competitive with the best dedicated mastering limiters

,

achieving high loudness with a remarkable lack of side-effects.

Loudness Controller:
Constrains subjective loudness to a user-adjustable threshold via the 1981 Jones & Torick CBS Technology Center algorithm

,

as further refined and developed by Orban. The algorithm also drives a subjective loudness meter

,

which is displayed on the 1101's GUI. In dual-mono mode

,

there are two independent loudness controllers and meters.

Number of Factory Presets:
More than 20

,

each with 19-step LESS-MORE control. Presets are fully customizable with FULL CONTROL. In addition to presets for full processing

,

there are also "AGC" and "Look-ahead Limiter" presets.

Number of User Presets:
Essentially unlimited. User presets can be saved on the host hard drive or on other storage devices.

WAVE AUDIO INPUT

Number of Inputs:
2

Configuration:
Stereo

Sound Devices:
2

Driver:
Multiclient Driver allows 1101 to appear as two standard sound devices to the computer operating system. The input can therefore be received from multiple software applications running on the host computer system by use of standard operating system sound device driver calls. For example

,

this could include single or multiple player applications

,

such as an audio playout system with multiple players

,

content insertion system

,

or audio over IP routed into the host computer through an Ethernet port

,

and/or multiple streaming audio encoders. Because the driver is multiclient

,

it allows it to source multiple applications simultaneously. A versatile mixer and router application allows you to mix digital

,

analog

,

and wave inputs to three busses (one with OPTIMOD-PC processing and two without) and to route the outputs of the "Processed" and "Direct" busses to the Analog

,

Digital

,

and Wave Outputs in any configuration or combination

,

such that any output can receive any bus or the unprocessed Wave Input. Content insertion systems that would normally require two sound devices can be configured to work with one 1101 Optimod-PC

,

requiring only one PCI or PCIe slot per program source.

Sample Rate:
8-96kHz. Asynchronously Sample Rate Converted by Driver

Sync:
Internal free running or External. Either AES/EBU

,

Word Clock

,

or 10MHz input can be used as source for external sync.
Wave data will be clocked to software configurable Internal or External sources.

Input Level:
Variable within the range of -20 to 0dBFS (Peak) in 0.5dB steps.

Software adjustable via Optimod-PC Mixer Application and Windows Mixer API

WAVE AUDIO OUTPUT

Number of Outputs:
2

Configuration:
Stereo

Sound Devices:
2

Driver:
Multiclient Driver allows 1101 to appear as two standard sound devices to the computer operating system. The output can therefore be routed to multiple software applications simultaneously

,

such as audio encoders

,

recorders

,

and content insertion systems running on the host system

,

and/or the card physical outputs via the Mixer Application. Software applications running on the host system do not require the use of physical cables to connect Wave Inputs and Outputs to applications

,

eliminating any unnecessary digital sample rate conversion. Content insertion systems that would normally require two sound devices can be configured to work with one 1101 Optimod-PC

,

requiring only one PCI or PCIe slot per program source.

Sample Rate:
Internal free running at 32kHz

,

44.1kHz

,

48kHz

,

selected in software.

External Sync to either AES/EBU or Clock Input at 32kHz

,

44.1 kHz

,

48 kHz

,

88.1 kHz

,

96 kHz

,

or 10MHz

,

all ±4%.

Sync:
Internal free running or External. Either AES/EBU

,

Word Clock

,

or 10MHz input can be used as source for External Sync.

Wave data will be clocked to software configurable Internal or External sources.

Jitter:
Less than 10ns rms.

Output Level Control:
Peak level is adjustable from -20 to 0dBFS in 0.1dB steps.

Software adjustable via Optimod-PC Mixer Application and Windows Mixer API.

ANALOG AUDIO INPUT

Number of Inputs:
1

Configuration:
Stereo.

Impedance:
>10k ohm impedance

,

electronically balanced

,

floating and symmetrical.

Nominal Input Level:
-10dBu / +4dBu VU

,

-2dBu / +21dBu PPM.

Software adjustable via Optimod-PC Mixer Application and Windows Mixer API.

Maximum Input Level:
+24 dBu

,

peak.

Reference Level:
-20dBFS. -10dBu / +4dBu VU Input Level produces -20dBFS when Input Level fader is 0dB.

A-D Conversion:
24-bit 128X oversampled delta sigma A/D converter with linear phase anti-aliasing filter.

Audio Connector:
DB-25

,

EMI suppressed.

ANALOG AUDIO OUTPUT

Number of Outputs:
1

Configuration:
Stereo.

Source Impedance:
50 ohms

,

electronically balanced and floating.

Load Impedance:
600 ohms or greater

,

balanced or unbalanced. Termination not required or recommended.

Output Level:
+4dBu nominal; Clip level +18dBu unbalanced

,

+24dBu balanced.

Software adjustable via Optimod-PC Mixer Application and Windows Mixer API.

Signal-to-Noise:
90dB unweighted signal-to-noise

,

20Hz-20kHz (bypass mode) (Note: To prevent out-of-band noise from causing falsely high noise readings

,

noise and distortion specifications must be verified by a bandpass filter having a very sharp cutoff at 20 kHz.).

Distortion:
<0.01% THD (bypass mode)

,

20Hz-20kHz. (Note: To prevent out-of-band noise from causing falsely high noise readings

,

noise and distortion specifications must be verified by a bandpass filter having a very sharp cutoff at 20 kHz.)

DA Conversion:
24-bit 128X oversampled D/A with linear phase anti-imaging filter.

DC Offset:
Less than 10mV differential offset.

Highpass Filter:
-3dB 2.0Hz.

Audio Connector:
DB-25

,

EMI suppressed.

DIGITAL AUDIO INPUT

Number of Inputs:
2

,

each with Sample-Rate Converter. The two inputs can accept asynchronous inputs and will allow them to be mixed. One of the inputs can also be configured as sync reference to lock output sample rate to the sample rate at this input.

Configuration:
Stereo AES/EBU (AES3-1992/AES18) or S/PDIF

,

24-bits resolution

,

software selection of stereo

,

mono from left

,

mono from right

,

or mono from sum (as source to use as a mono processor).

User Bits:
AES18 compliant. Incoming User Bits will pass through to Digital Output. User Bits can also be inserted or extracted via Serial or Ethernet using Optimod-PC Control Application.

Impedance:
Transformer balanced and floating

,

110 ohm impedance

,

AES/EBU.

Sample Rate:
20-96kHz.

Input Level:
Variable within the range of -20 to 0dBFS (Peak) in 0.5dB steps.

Software adjustable via Optimod-PC Mixer Application and Windows Mixer API.

Frequency Response:
DC – 20

,

000Hz ±0.1dB (Digital I/O).

Internal Digital Input:
See Wave Audio Input above.

Audio Connector:
DB-25

,

EMI suppressed.

Word Clock Connector:
DB-25

,

EMI Suppressed and/or BNC.

DIGITAL AUDIO OUTPUT

Number of Outputs:
2

Configuration:
Two-channel per AES/EBU-standard (AES3-1992) or S/PDIF (consumer) standard

,

software selectable.

Output Level Control:
Peak level is adjustable from -20 to 0dBFS in 0.1dB steps.

Software adjustable via Optimod-PC Mixer Application and Windows Mixer API.

Sample Rate:
Internal free running at 32kHz

,

44.1kHz

,

48kHz

,

88.1 kHz

,

or 96 kHz

,

selected in software. Can also be synced to either AES/EBU input at 32kHz

,

44.1 kHz

,

48 kHz

,

88.1 kHz

,

or 96 kHz

,

all ±4%.

Word Length:
Selectable 24

,

20

,

18

,

or 16-bit. Optional dither can be added

,

with level adjusted appropriate to word length. This is first-order noise-shaped dither. (i.e.

,

white TPDF dither of peak amplitude equal to the quantizer step size with noise shaping spectral density of 6dB/octave.) It sounds substantially quieter than white triangular PDF dither but

,

in contrast to more extreme noise-shaped dither

,

it adds only 3dB unweighted noise by comparison to white PDF dither.

Sync:
Internal free running or external. Either AES/EBU

,

Word Clock

,

or 10MHz input can be used as source for external sync.

Frequency Response:
DC – 20

,

000Hz ±0.1dB (Digital I/O).

Signal-to-Noise:
100dB (referenced to -20dBFS Lineup Level)(Digital I/O).

Dynamic Range:
120dB (bypass mode) (Digital I/O).

THD+N:
0.0006%

,

1kHz

,

-1dBFS (bypass mode) (Digital I/O).

Crosstalk:
Infinite (Digital I/O)

Internal Digital Output:
See Wave Audio Output above.

Audio Connector:
DB-25

,

EMI suppressed.

AUDIO CABLE ASSEMBLY

OPTIONAL:
DB-25 plug-in 6'/1.8m I/O Cable Assembly

Audio Inputs are XLR Female

,

Audio Outputs are XLR Male

,

Clock Input is BNC Female

Some applications will not require the use of external audio I/O

,

and therefore do not require a cable.

Cable wiring Tascam compatible.

POWER

PCI Connector:
+5V at 800mA

,

+12V at 200mA maximum

,

±15 derived from DC-DC converter.

PCIe Connector:
+3.3V at 1.5A

,

+12 at 200mA

,

±15 derived from DC-DC converter.

COMPUTER

Minimum System Requirements:
Recommend Intel CPU and Chipsets.

Microsoft Windows 2000 – Intel Pentium IV 800 MHz RAM 64MB

,

128MB recommended.

Microsoft Windows XP – Intel Pentium IV 1.0 GHz

,

RAM 128MB

,

256MB recommended.

Microsoft Windows Vista – Intel Pentium IV 1.0. GHz

,

RAM 512MB

,

1024MB recommended.

This provides the minimum recommended CPU power to control an arbitrary number of Optimod-PC cards with external audio sources. Audio player and/or encoding software will require additional CPU power.

Bus:
PCI Version 2.2 compliant

,

32-bit

,

33MHz

,

transfer rate up to 132MBytes/sec. Will operate in 3.3V or 5V PCI slot

,

and bus extenders. PCI-X 2.0 compliant. Plug and Play supported.

PCIe:
PCIe 1x Version 1.1 compliant. 250/500MB/s. Plug and Play supported.

Audio Drivers:
Microsoft Windows 2000/XP

,

WDM Audio DirectSound

,

multi-client

,

bus-mastering 32/64-bit

Microsoft Windows Vista

,

WDM Audio

,

DirectSound

,

multi-client

,

bus-mastering 32/64-bit

Microsoft Windows 7

,

WDM Audio

,

DirectSound

,

multi-client

,

bus-mastering 32/64-bit

Software:
Mixer application provides complete control of digital mixer and all hardware settings.

The control application provides subjective adjustment controls of the audio processing and remote administration. It also allows factory and user presets to be recalled from and save to a host storage device such as a hard disk drive or removable drive. The control application client addresses multiple Optimod-PC cards

,

either housed in the local host or anywhere on a TCP/IP network or by local serial communication. The control application also functions as a server

,

interfacing cards installed in a given host computer with the network for control and monitoring.

API:
Microsoft Windows Mixer Control API supported for Input and Output switching and levels. This provides compatibility with Windows applications that use standard Microsoft Windows Mixer enumeration and calls.

IP API provides complete remote administration over TCP/IP. The OPTIMOD-PC Service application hosts a TCP/IP Terminal Server to allow external control of the OPTIMOD-PC cards from either a Telnet/SSH client or a custom third party application. All OPTIMOD-PC Presets and Mixer Controls are accessible and all commands are simple text strings

,

which are broadcast to all active clients to remain updated with current status.

Telnet/SSH:
RFC 318 compliant basic subset. Compatible with Windows Telnet and PuTTY Telnet clients.

TCP/IP Port user assignable.

Serial API provides complete remote administration over Serial port communication. The OPTIMOD-PC Service application hosts a Serial terminal server to allow external control of the OPTIMOD-PC cards from either a terminal client or a custom third party application. All OPTIMOD-PC Presets and Mixer Controls are accessible and all commands are simple text strings.

Compatible with terminal programs such as Windows HyperTerminal

,

and PuTTY VT-100 clients.

COM Port user assignable from COM1 to COM100.

Status Monitoring:
SNMP RFC 1157 compliant. Monitors all Audio Input and Output presence

,

Mixer Control status

,

Active Preset

,

Control Application Connections

,

and Control Client Connections. (in development)

REGULATORY

Certifications:
CE and FCC Class B

,

RoHS compliant.

ENVIRONMENTAL

Size:
(L x H x W): PCI Standard Full Hieght/Short Length – 6.6"/168mm x 4.2"/107mm x 0.75"/19mm

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Omnia.9

In stock

Original price was: €14,725.00.Current price is: €14,274.00.
Weight 12.7006 kg
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features

Simultaneous separate processing cores for FM and (Optional) HD1

,

HD2 and HD3.
Each processing core is separately fully adjustable and has selectable 4

,

5

,

6 or 7 bands
Psychoacoustic Composite Embedder allows up to 140% audio peaks in stereo at 100% total modulation.
Contains exclusive “Undo” technology

,

a source declipping algorithm and program-adaptive multiband expander which removes distortion from source material. This corrects over-processed CDs

,

so common in today’s contemporary music.
Multiband downward expansion (source noise reduction)
3-stage wideband AGC with adjustable sidechain equalization
Program-dependent multiband compression
Multiband look-ahead limiting
Adjustable dynamic bass clipping (future feature)
Selectable phase linear high pass filter

,

15

,

30 or 45 Hz
(For Digital) Two-band final look-ahead limiting
Selectable phase linear (high latency) or low latency (talent air monitoring capable) modes
Fully automatic program-dependent declipper and multiband expander for damaged content such as loud CDs
Optional streaming encoding built in for Primary Digital (HD) and Secondary (HD2) and Tertiary (HD3). Supports encoding to MP3 (Mpeg-1 Layer 3)

,

MP2 (Mpeg-1 Layer 2)

,

AAC

,

HE-AAC (including RTSP/3G for streaming to mobile phones)

,

Ogg Vorbis

,

WMA and WMA Pro.
7 inch front panel touch screen
Full remote control.
On-screen keyboard with several layouts (QWERTY

,

QWERTZ

,

AZERTY

,

Dvorak and ABC sequential) for easy setup and preset name typing
Optional RDS encoder

,

dynamically updateable
Selectable SSB (Single Sideband) stereo encoder
HTTP push support for automation

,

such as dynamic RDS and streaming song titles

,

preset recall
Dayparting (scheduled preset selection) (future feature)
Studio Output with very low latency for talent monitoring
Dual independent power supplies
Composite pass-through (relay bypass) for your backup processor

Orban OPTIMOD-PCn 1600

In stock

Original price was: €1,360.00.Current price is: €1,295.00.
Weight 0.5 kg
Dimensions 10 × 10 × 10 cm

Omnia FORZA

In stock

Original price was: €1,360.00.Current price is: €1,295.00.

DEVA DB6410

In stock

Original price was: €2,450.00.Current price is: €2,425.00.

ITEL DPRO6 HD

In stock

Original price was: €2,940.00.Current price is: €2,800.00.

Inovonics 719N David IV

In stock

Original price was: €3,500.00.Current price is: €3,335.00.
Weight 4.76 kg
Dimensions 64 × 44 × 8 cm

Inovonics JUSTIN 808

In stock

Original price was: €3,800.00.Current price is: €3,620.00.
Weight 3.8 kg
Dimensions 64 × 44 × 8 cm
features

Precise time alignment between analog FM and HD1
Automatic phase correction and RMS gain leveling
Insert in either the FM or HD Radio AES digital feed
Full Web interface for remote control

,

metering

,

etc.
SMS/email alarms for loss of signal and loss of audio
Extensive data logging with graphic display
Auto failover with relay bypass

Color

Black

specification

CONNECTIVITY

Receiver Input
75-ohm ‘F’ connector. Receiver tunes 87.5 to 107.9MHz in 200kHz steps. An RF input level of 50μV or more assures reliable operation.

AES Digital Audio I/O:AES3 (XLR) digital audio loop-through; 44.1kHz sampling rate

Network Interface: LAN (RJ45) connection to local network and through user’s router to Internet for full Web Interface remote control and monitoring.

PLACEMENT IN AIRCHAIN

In HD Radio AES Audio Feed:
Placed in line with the AES audio feed to the HD Radio exciter

,

the JUSTIN 808 will automatically correct diversity delay errors and r.m.s. level errors between the FM and HD1 programs

In Analog FM AES Audio Feed:
Placed in line with the AES audio feed to the analog FM stereo encoder

,

the JUSTIN 808 is capable of providing the entire diversity delay

,

if required. It will automatically correct diversity delay errors

,

but cannot normalize r.m.s. level errors between the two programs.

DELAY CORRECTION

Correction Resolution:
Corrects to ±1 sample (±23 μs)

Maximum Delay Error Correction:
16 seconds

Time Required to Correlate Delay Errors:
Small delay errors (up to 0.4 seconds) require up to 30 seconds to correlate; delay errors of 10 seconds could require as much as 3.5 minutes.

Time Required to Correct Delay Errors:
Correction rate is user-programmable between 1 and 1000 samples per second (23μs/sec to 23ms/sec).

“Catch-Up” Button Feature:
A front-panel menu item

,

also accessible via the Web Interface

,

permits a manual time alignment quick reset to a previous long-term mean value. This obviates correlation acquisition and brings time alignment close to the required figure.

AUDIO LEVEL & PHASE CORRECTION

The JUSTIN 808 offers automatic program phase correction when a phase reversal is sensed between the analog FM and digital HD1 program channels. R.M.S. level correction is also available when the JUSTIN 808 is placed in the AES digital audio feed to the HD Radio exciter.

ALARMS AND LOGGING

Alarm Conditions
1. RSSI (Low RF signal)

2. Audio Loss or Levels Out of Range

a. AES Loop-Through

b. Off-air FM Audio

c. Off-air HD1 Audio

3. Out of Alignment Range (user preset)

Alarm Indications:
1. Front-panel OLED display

2. Rear-panel ground-closure ‘tallies’ with selectable logic polarity

3. SMS-text/email notifications via SMTP

4. JUSTIN 808 Webpage indication

Alarm Logging:
All alarms are logged by the JUSTIN 808; statistics are presented graphically via the Web Interface and may be downloaded for follow-up study.

WEB INTERFACE

The JUSTIN 808 Web Interface is compatible with desktop/laptop computers

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tablets and smart phones

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and supports SNMP with a downloadable MIB file. All functions available at the front panel are duplicated by the Web Interface.

MISCELLANEOUS

Power Requirements:
105 – 130VAC or 210 – 260VAC

,

50/60Hz; 20 watts

Size and Weight:
1¾”H x 19”W x 9”D (1U); 10 lbs. (shipping weight)

Environmental:
0°C – 50°C operating temperature range; 95% noncondensing relative humidity; up to 3000 meters AMSL

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Orban OPTIMOD 6300

In stock

Original price was: €5,295.00.Current price is: €5,046.00.
Weight 8.2 kg
Dimensions 60 × 60 × 15 cm
features

User-Friendly Interface

An LCD and full-time LED meters make setup

,

adjustment and programming of the 6300 easy you can always see the metering while you are adjusting the processor. Navigation is by dedicated buttons

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soft buttons (whose function is context-sensitive)

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and a large rotary knob. The LEDs show all metering functions of the processing structure (Two-Band or Five-Band) in use.
Push one of the dedicated buttons to "Recall" a preset

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to "Modify" processing

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or to access the system's Setup controls.

Absolute Control of Peak Modulation

The 6300 precisely controls peak levels to prevent clipping or overmodulation in transmission media. The maximum level of the digital samples is controlled to better than 2%.
The 6300 implements "true peak" control by oversampling the peak limiter's sidechain at 192 kHz. This allows the 6300 to prevent clipping in a playback device's analog signal path by predicting and controlling the analog peak level following the playback device's recon-struction filter to an accuracy of better than 0.5 dB. For typical program material

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accuracy is 0.2 dB Without true peak control

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analog clipping can occur even if all peak values of the digital samples are below 0 dBFS. This phenomenon has also been termed "0 dBFS+."
Thanks to true peak control

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sample rate conversion

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unless it removes high frequency program energy or introduces group delay distortion

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cannot cause sample peaks to increase more than 0.5 dB. For example

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sample rate con-version from 48 kHz to 44.1 kHz is highly unlikely to cause sample peak clipping in the 44.1 kHz audio data.
While primarily oriented toward "flat" media

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the 6300 can also provide pre-emphasis limiting for the two standard preemphasis curves of 50µs and 75µs. This allows it to protect pre-emphasized satellite uplinks and similar channels where protection limiting or light processing is required.

Flexible Configuration

The 6300 includes analog and dual AES3 digital inputs and outputs. The digital input and digital outputs have sample-rate converters and can operate at 32 kHz

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44.1 kHz

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48

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88.2

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and 96 kHz sample rates. The pre-emphasis status and output levels are separately adjustable for the analog and digital outputs.
Note that the 6300 cannot provide simultaneous

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independent audio processing for flat and pre-emphasized channels. Even though one output may be pre-emphasized while other is flat

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the only difference between the outputs is that the "flat" output has de-emphasis applied to it after the processing while the pre-emphasized output does not.
OPTIMOD-DAB's outputs can be independently configured to emit the output of the AGC or the output of the multiband compressor/limiter

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all configurable to use or bypass look-ahead limiting.
THE 6300 controls the audio bandwidth as necessary to accommodate the transmitted sample frequency. OPTIMOD-DAB's high frequency bandwidth can be switched instantly (typically in 1 kHz increments) between 10 kHz and 20 kHz. 20 kHz is used for highest-quality systems. 15 kHz meets the requirements of any system that uses 32 kHz sample frequency

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while 10 kHz is appropriate for 24 kHz sample frequency.
The 6300's dual-mono mode allows entirely separate mono programs to be processed

,

facilitating dual-language operation. In this mode

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both processing channels operate using the same processing parameters (like release time); you cannot adjust the two channels to provide different processing textures.

Adaptability through Multiple Audio Processing Structures

A processing structure is a program that operates as a complete audio processing system. Only one processing structure can be on-air at a time. The 6300 realizes its processing structures as a series of high-speed mathematical computations made by Digital Signal Processing (DSP) chips.
The 6300 features two processing structures: Five-Band for a spectrally consistent sound with good loudness control

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and Two-Band for a transparent sound that preserves the frequency balance of the original program material while also effectively controlling subjective loudness.
In the Five-Band structure

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Orban's PreCode™ technology manipulates several aspects of the audio to minimize artifacts caused by low bitrate codecs

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ensuring consistent loudness and texture from one source to the next. PreCode includes special audio band detection algorithms that are energy and spectrum aware. This can improve codec performance on some codecs by reducing audio processing induced codec artifacts

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even with program material that has been preprocessed by other processing than Optimod. There are several factory presets tuned specifically for low bitrate codecs.
A special Two-Band preset creates a no-compromise "Protect" function that is functionally similar to the "Protect" structures in earlier Orban digital processors. The Five-Band and the Two-Band structures can be switched via a mute-free crossfade.
OPTIMOD-DAB's Two-Band structure includes a CBS Loudness Controller™ for DTV applications. The CBS algorithm has proven its effectiveness by processing millions of hours of on-air programming since the early 1980s. It smoothly limits subjectively perceived loudness to a broadcaster-set threshold

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preventing audience irritation. The controller measures subjective loudness (as perceived by an average listener) and then closes a feedback loop to limit loudness to a preset level. It effectively controls loud commercials

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which are the primary irritant in sound-for-picture applications. Third generation improvements reduce annoyance more than simple loudness control alone

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doing so without audible gain pumping. New in version 2.0 software is the ability to adjust the attack time

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trading off short-term loudness control against transient punch.
The subjective loudness meter

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labeled Loudness Level in the 6300's GUI

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uses the CBS Technology Center algorithm developed by Jones and Torick. When used to drive a transmission channel using the Dolby Digital® codec

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the Loudness Level meters (one for stereo processing or two for dual-mono processing) can be aligned to the Dialnorm metadata value in the Dolby Digital bitstream conveying the 6300's output signal to the consumer's receiver. When this is done

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the loudness level at the receiver will be correct when the 6300's processing is adjusted to make dialog peak at "0 dB" on the 6300's Loudness Level meter. This processing fully complies with the loudness control requirements in ATSC A/85:2011 and EBU R 128.
The Loudness Level meter is also useful for mastering because it can help ensure consistent loudness from one track to the next on CD

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DVD

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or Blu-ray media. The CBS Loudness Controller is not needed with the Five-Band processing because the Five-Band processing's spectral consistency creates consistent loudness as a desirable byproduct.
The 6300's AGC rides gain over an adjustable range of up to 25dB

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compressing dynamic range and compensating for both operator gain-riding errors and gain inconsistencies in automated systems. The AGC output is available to drive STLs

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so the 6300 can be used as a studio AGC.
The 6300's processing structures are all phase-linear to maximize audible transparency.
All compressors in the Two-Band and Five-Band structures have compression ratio and knee shape controls for each band's compressor

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making the 6300 perfect for applying subtle compression in mastering applications.
Controllable

The 6300 can be remote-controlled by 5-12V pulses applied to eight programmable

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optically isolated "general-purpose interface" (GPI) ports.
6300 PC Remote software is a graphical application that runs under Windows 2000 and XP

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Vista

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7 and 8. It communicates with a given 6300 via TCP/IP over modem

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direct serial

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and Ethernet connections. You can configure PC Remote to switch between many 6300s via a convenient organizer that supports giving any 6300 an alias and supports grouping multiple 6300s into folders. Clicking a 6300's icon causes PC Remote to connect to that 6300 through an Ethernet network or initiates a Windows Dial-Up or Direct Cable Connection if appropriate. The PC Remote software allows the user to access all 6300 features (including advanced controls not available from the 6300's front panel) and allows the user to archive and restore presets

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automation lists

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and system setups (containing I/O levels

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digital word lengths

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GPI functional assignments

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etc.).
The 6300 contains a versatile real-time clock

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which allows automation of various events (including recalling presets) at pre-programmed times. To ensure accuracy

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the clock can be synchronized to an Internet timeserver.
A Bypass Test Mode can be invoked locally

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by remote control (from either the 6300's GPI port or the 6300 PC Remote application)

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or by automation to permit broadcast system test and alignment or "proof of performance" tests.
The 6300 contains a built-in line-up tone generator

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facilitating quick and accurate level setting in any system.
The 6300's software can be upgraded by running Orban-supplied downloadable upgrade software on a PC. The upgrade can occur remotely through the 6300's Ethernet port or serial port (connected to an external modem)

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or locally (by connecting a Windows® computer to the 6300's serial port through the supplied null modem cable).

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Orban OPTIMOD XPN-Enterprise

In stock

Original price was: €6,225.00.Current price is: €5,925.00.