Assigning an Input Channel to an Output Bus – Switches at the top of the channel are used to select the output group routing
,
to either Program
,
Audition
,
or both output busses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix busses. The buttons illuminate green to indicate the routing status.
Changing the Input Level – Coarse gain is set using pre-set potentiometers on the channel circuit board which allow unbalanced inputs to be used on mono and stereo line inputs. The front panel TRIM control allows fine gain of ±12dB.
Changing the Signal Pan
,
or Balance – The BAL/PAN control is used on mono channels to pan the mono input signal in the stereo image and on stereo channels to balance the stereo image.
CUE/PFL (Pre Fade Listen) – Selecting the CUE/PFL button routes the pre-fader input signal to the monitoring system where the signal can be heard via headphones and/or loudspeakers. The button lights green when CUE/PFL is active and a jumper option is available to cancel the CUE/PFL selection when the fader is raised. This button works with both a momentary and latched operation – if held down
,
the selection is cancelled on release
,
otherwise the button is alternate action.
Fader Start & ON Button Control – The ON button works in conjunction with the 100mm long-throw carbon fader and is used to control channel remotes (e.g. starting a CD player)
,
routing and timers
,
etc. When unlit
,
the channel is off. Flashing red indicates that the channel has been selected to ON but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed”
,
ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively
,
with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON).
Programmable Button Settings – To make the S2 modules as flexible as possible
,
every button on each channel can be set to a number of different modes to aid the use of the mixer and allow for extra functionality. Each button can be set to either operate manually
,
be permanently on
,
or permanently disabled. Also
,
the ON button can be configured to operate in a number of modes
,
altering remote start functions
,
and the channel ON function can be controlled remotely by automation playout systems
,
such as RCS® or VCS.
Scribble Pad – A scribble pad is provided at the bottom of the channel for user labelling of the channel function.
specification
Technical Specification For S2
Input/Output Impedances
Mic Input:
> 1k5Ω electronically balanced
Mono Line Input:
> 20kΩ electronically balanced
Stereo Line Input:
> 20kΩ electronically balanced
PGM & AUD Output:
< 75Ω electronically balanced
Mono Output:
< 75Ω electronically balanced
Monitor Outputs:
< 75Ω unbalanced
AES Input/Output:
110Ω
S/PDIF Input/Output:
75Ω
BNC Wordclock input:
50Ω
Input/Output Gain Range
Mic Input:
Preset pot +13dB to +66dB ref -50dBu
,
TRIM pot ±12dB
Mono Line Input:
Preset pot -6dB to +10dB ref 0dBu
,
TRIM pot ±12dB
Stereo Line Input:
Preset pot -6dB to +10dB ref 0dBu
,
TRIM pot ±12dB
Telco Input:
Preset pot -6dB to +10dB ref 0dBu
,
TRIM pot ±12dB
Telco Output:
Preset pot -6dB to +4dB ref 0dBu
Mix Minus Input:
Preset pot -6dB to +10dB ref 0dBu
,
TRIM pot ±12dB
Mix Minus Output:
Preset pot -3dB to +3dB ref 0dBu
Digital Input:
0dBFS = +12dBu on input; TRIM pot ±12dB allowing 0dBu to +24dBu
Digital Output:
0dBFS = +18dBu
Frequency Response
Mic Input:
40Hz to 20kHz
,
-1dB
,
+0dB (-3dB at 130Hz with HPF in)
Line Inputs:
20Hz to 20kHz
,
– 0.5dB
,
+0dB
RIAA Input:
30Hz to 16kHz ±1.5dB RIAA equalised
Noise (20Hz to 20kHz)
Mic Input E.I.N.:
-129dB with 150Ω source
Stereo Inputs (fader down
,
no routing):
-89dB ref 0dB
Stereo Inputs (fader down
,
one channel routed):
-89dB
Stereo Inputs (unity gain
,
no routing):
-89dB
Stereo Inputs (unity gain
,
one channel routed):
-86dB
Stereo Inputs (unity gain
,
two channels routed):
-83dB
Distortion
Total Harmonic Distortion:
0.015% at 1kHz
,
0dB
0.025% at 10kHz
,
0dB
Crosstalk
Inter-channel:
< -90dBu
Stereo:
-90dBu at 1kHz
Equalisation
LF Shelving at 100Hz:
±7dB
HF Shelving at 6.5kHz:
±7dB
Range
Pan Range:
off/-3dB centre/off
Balance Range:
±6dB
Common Mode Rejection Ratio
Mic Input:
> 100dB at 70dB gain
Digital I/O
Sync Input Sample Rate:
30kHz – 100kHz
Output Sample Rates (Using Onboard Clock):
32kHz
,
44.1kHz
,
48kHz
,
& 96kHz
Output Sample Width:
16
,
20
,
24 bit (24 bit on V2 ODA/ODP)
Output
Headphone Output Load:
>45Ω
,
400Ω recommended
Maximum Output (Analogue):
+26dBu balanced into 2kΩ or greater
Power
Power (S2-PSU):
Filtered IEC
,
switchable 115V
,
230V
,
fused
,
210W max.
Dimensions (S2-PSU):
48cm (W) x 24.3cm (D) x 8.8cm (H)
(Raw):
19” (W) x 10” (D) x 3.5” (H)
Dimensions (S2-PSU):
51cm (W) x 41.5cm (D) x 17cm (H)
(Boxed):
20” (W) x 16.3” (D) x 6.7” (H)
Weight (S2-PSU):
Nett: 6kg Gross: 7.8kg
Nett: 13.2lbs Gross: 17lbs
Dimensions (S2-PSUS):
48cm (W) x 23cm (D) x 4.4cm (H)
(Raw):
19” (W) x 9” (D) x 1.7” (H)
Dimensions (S2-PSUS):
55cm (W) x 39.3cm (D) x 8.5cm (H)
PCM Encoding / Decoding
Shoutcast/Icecast Source capability
Audio Level Supervision with SNMP Trap generation
IP Streaming via TCP
,
UDP
,
RTP
,
Multicast
Balanced Line Level Input (Stereo)
Balanced Line Level Output (Stereo)
Relay Output (4)
Contact Closure Input (4)
RS-232 / RS-485 Serial Port
USB Flash Memory Interface
AES/EBU digital Audio interface
Supply Voltage 24…48 VDC
Variable-D™ for minimal proximity effect
True cardioid with no coloration at 180-degrees off-axis
Voice tailored frequency response
Studio condenser-like performance
Large diaphragm
Humbucking coil
Bass roll-off switch