Display Large
Large 3 digit LED for Negative Modulation
,
16-character alphanumeric LED display for menus and parameters
Frequency Response
±0.1 dB
,
30 Hz to 10.2 kHz
-3dB @ 11.9kHz
-100 dB @ 16 kHz
Audio Outputs
Audio Monitor
+10 dBm
,
600 ohm
,
balanced (XLR)
,
NRSC or Flat
Audio Test
2.5 V rms unbalanced (BNC)
Frequency Response
±0.1 dB
,
30 Hz to 10.2 kHz
Distortion
less than or equal to 0.1% @ 99% modulation
IMD (SMPTE
,
CCIF
,
DIM)
less than or equal to 0.1% @ 99% modulation
Signal to noise ratio
75 dB
Signal Delay
Test: 3 ms.
,
Meter: 90 ms.
Automatic Carrier Level Adjustment range
25-150%
Remote Meter Output
Jack for optional MP-17 analog remote meter panel
Remote Alarms
Relays for Loss of Modulation
Normal
,
Negative PPM
,
Positive PPM
Loss of Carrier
,
Remote
,
and General alarms.
Relays can be set NO or NC
Serial Interface
RS-232/RS-422
Unit Interface
Wizard Standard Interface
Power Requirements
20 watts
,
100-240 Vac 50/60 Hz
Dimensions
1 3/4"H x 14"D x 19"W (EIA rack mount)
Shipping Weight
10 lbs (4.5 kg)
features
MEASUREMENTS:
Positive Peak Modulation in Percent
Negative Peak Modulation in Percent
Positive Peaks-per-Minute Count
Negative Peaks-per-Minute Count
Positive Peak Average & Peak Min Modulation
Negative Peak Average & Peak Min Modulation
Positive Average/Peak Modulation Ratio
Negative Average/Peak Modulation Ratio
Normal Modulation Peaks-per-Minute Count
AM Noise rms detected in dB
Carrier Level
Carrier Reference
Carrier High in sliding 1 minute window
Carrier Low in sliding 1 minute window
Carrier Ratio High/Low in dB
SETTABLE PARAMETERS:
Positive & Negative Peak Modulation Indicator
Positive & Negative Peaks/Minute Indicator
Normal Modulation Indicator
Positive & Negative Peaks/Minute Duration
Audio Failure Alarm – Time & Modulation
Modulation Mode (Normal/Fixed/MDCL/IMOD)
MDCL Reference
Carrier Shift Alarm
Carrier Failure Alarm – Time & Level
Display Hold Time
Time Mode (Real/Past)
Infinite Hold
Audio Outputs (Test/Meter)
Modulation Calibrator
Tuning Frequency
Tuning Mode (Dir/Auto/Scan/Lock)
Tuning Frequency Increments
Total Peak Modulation in Percent
Peak Modulation expressed in kHz Deviation
Peaks-per-Minute Count
Loop-thru #1 Modulation
Loop-thru #2 Modulation
Peak Average Modulation
Average/Peak Modulation Ratio
Peak Minimum Modulation
AM Noise (with Option 02)
Synchronous AM Noise (with Option 02)
RF Level (with Option 02)
Pilot Modulation (requires FMS-2 or other source of filtered pilot)
Pilot Injection (requires FMS-2 or other source of filtered pilot)
SCA Injection (requires SCM-2 or other source of filtered SCA)
SETTABLE PARAMETERS:
Hold Time
Peak Modulation Indicator
Peaks-per-Minute Indicator
Display Hold
Display Blanking
Peaks-per-Minute Duration
Remote Enable
Audio Failure Alarm – Time & Modulation
Loop-thru #1 Gain (+20% Modulation)
Loop-thru #2 Gain (+20% Modulation)
Display Resolution (01% or 1%)
Time Mode (Real/Past)
Peak Weighting (8 time constants)
Calibrator (with Option 01)
specification
SPECIFICATIONS:
Accuracy:
0.1%
Display:
Large 4 digit LED for Total Modulation
,
16 segment alphanumeric LED display for menus and parameters
Input:
Composite or 650 Khz IF (with Option 01) for use with
Belar RFA-4
,
RFA-1A
,
or DC-4
,
or RF transmitter sample (with Option 01 and Option 02)
Option 01:
Precision FM Demodulator with Calibrator
Input:
650 kHz IF (From RFA-4
,
RFA-1A
,
DC-4
,
or Option 02)
Output:
Two 75 ohm buffered
,
composite
Signal/Noise:
> 95dB
Distortion (IM):
< 0.003%
Distortion (THD):
Unmeasureable (< 0.01%)
Option 02:
Down Converter and Synchronous AM Noise Detector
Frequency Range:
88 to 108 MHz Std. (Specify frequency)
Frequency Agile Antenna and High Level Inputs
RF Spectrum Analysis with Mask and Sideband Power Measurements
Metering of Analog Total
,
Pilot
,
L
,
R
,
L+R
,
and L−R
Metering of HD L
,
R
,
L+R
,
L−R Audio
Time Alignment Graphic Display Analysis ±16384 samples
,
±375 ms to ±256 samples
,
±5.8 ms Audio Polarity
Level Alignment Graphic Display Analysis ±20.0 dB
HD Control and Status Information
HD SIS and PAD Data
BER (Bit Error Rate) Measurements
Analog Input
600/10 K balanced XLR 50 dB CM Rejection 20-15 Khz. Input level selected by software in 1 dB steps. Sigma-Delta converters 24 bits / 192 Khz
Digital Input
Optional AES-3 digital balanced input Z=110 ohms. Automatic selection of 32
,
44
,
1
,
48
,
96 & 192 Khz with sample rate converter (128 dB Dynamic Range
Subsonic Filter
Chebyshev FC=20 Hz 25 dB rejection at 10 Hz
Asymmetry Canceling
Phase processing technology with Kahn-Bonello algorithms. Cancelling Factor=8:1
Linear Expander
Range=20 dB Attack & Release time software controlled
Gated Wide-Band AGC
Range=30 dB. Attack / Release time & Threshold controlled from LCD screen
Multiband Compressors
DSP controlled. Five Bands
,
Crossover= 24dB/oct Max compression = 30dB. Slope = 10:1
Compressors Attack/Release Time
Attack and Release controlled separately
IM Canceled Clipper
IM canceling factor : greater than 30 dB below 250 Hz
Fast Clipper
Four channels
,
absolutely alias free using DC-10 Mhz bandwidth channel
Density Equalizer
Four bands density equalizer with 15 dB range at the output of multiband compressors
Low pass filter
15 Khz digital low pass FIR filter
,
60 dB rejection at 19 Khz
Storage of Preset Settings
30 programs that can be changed on-air from PC computer using the 462dsp serial port
RS-232 PC control
RS232 serial port. It can be connected to USB bus with optional external adapter. Optional Ethernet bus connection
Super Modulation
MPX processing for stereo interleaving
,
allows for 130% L & R audio level at 100% modulation
RS-232 PC control
Yes. It includes free Windows 2000/XP software
AM FM compatible
The user can change the processor's AM/FM firmware chips. Only two socket mounted Flash EPROM IC's have to be replaced. Stereo coder is a separate module
Processing Bands and stages
Five processing bands / Nine processing stages
LCD Display
Blue color
,
LCD display with backlight. Graphic type Resolution 240 x 64
Digital Levels
AES-3/SPDIF outputs TCP/IP & USB inputs & outputs; 0VU RMS is set at -15dB Ref Full Scale level. 0dB Peak is set to 100% Full Digtal Scale
Monitor & Hybrid Outputs
1 Separate Hybrid CUE
,
+4dBu / 10K
1 Hybrid On-Air Receive + 4 dBu/10K
1 Hybrid send (MIX-Minus) +4 dBu / 10K
CUE Monitor
Internal Monitor Amplifiers: 3W CUE monitor with internal speaker. 2 Stereo Monitor outputs; Control Room & Studio
,
with Muting Relays (line level).
Microphone Processor
Optional MIC module model 2612
,
160mm wide
,
with 3 MIC with processing facilities. 4 band EQ
,
80 Hz and 10 kHz shelving
,
160 Hz & 5 kHz bell shaped; +/- 14 dB action. Expander Gate to eliminate backgound noise. Audio Compressor
,
20 dB action. Iluminated switchs for EQ and Compressor-Expander
Monitor & Hybrid Outputs
1 Separate Hybrid CUE
,
+4dBu / 10K
1 Hybrid On-Air Receive + 4 dBu/10K
1 Hybrid send (MIX-Minus) +4 dBu / 10K
Headroom
22 dB @ LIN to PGM Ref + 4dBu/10 k
Digital Control Bus
One Start Devices output for each input module
,
to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF = Open Manages 0-24 V DC @ 100 mA
Frequency response
20-20.000 Hz +/- 0.25 dB (LIN or MIC to PGM)
Noise
MIC input
,
EIN=-132 dBu/150 ohms
LINE input
,
S/N > 95 dBA at PGM output
Dynamic Range
From Line to PGM > 110dBA (Better than CD quality)
Crosstalk
PGM-AUD-SEND > 90 dBA @30-10.000 Hz
L-R & R-L > 80 dBA @ 1khz
Distortion
From LINE to PGM out < 0.01 % THD @30-15.000 Hz
From MIC to PGM out < 0.01 % THD @30-15.000 Hz
Phase
From Line to PGM
,
< 2º L&R @50-10.000 Hz
Stereo tracking
Below 0.2 dB error L/R in fader range 0 to 40 dB
Phone Hybrid
3 Hybrid inputs
,
2 for phone lines and one for cellular phone at 4 wires.
It includes a mini-PBX with Ringer
,
Line attention with free hands operation
,
and Line Transfer.
Talkback Microphone
Included Talkback MIC
,
with Audio Limiter. Noise Cancelled PZM type / Outputs to Phone Line Hybrid and Studio Speaker with AutoSwitch (AutoSwitch allows one-touch Studio communication)
VU-meters
2600XL: 4 digitally controlled VUmeters 24 steps of 1 dB
,
DUAL type (RMS & Peak) for PGM & AUD. One Timer/Clock and one
Stereo Phase Vector display
Timer /Clock Option
Timer counts minutes: seconds during on-air MIC in order to avoid excessive speaker on-air time When the Timer is off
,
a standard clock is activated
ON-AIR Signal
ON-AIR signal output (turns on when MIC is open) 12 VDC @ 0
,
3 amp
Start external devices
One Start Devices output for each input module
,
to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF= Open. Manages 0-24 VDC @ 100 mA. This allows to control Virtual Rack processors and start audio devices.
Power
110-127 V / 190-240V
,
with switch
,
50/60 hz
,
80 VA
Dimensions & Weight
XL model: 840 wide x 585 depth x 135 height – Weight 15 Kg
Frequency Response
20-20.000 Hz +/- 0.25 dB (LIN to PGM)
20-20.000 Hz +/- 0
,
5 dB (MIC to PGM)
MIC Equalizer
Four Bands MIC EQ with In/Out switch; 80 Hz top flat curve
,
160 Hz bell shaped
,
4 kHz bell shaped
,
8 kHz top flat curve
Action + 15 dB / -15 dB
MIC Compressor
Low distortion MIC compressor with In/Out switch. 20 dB max compression. Attack time < 10 ms.
Threshold = 0 VU
Compression ratio: < 2 dB variation for 15 dB change MIC level
Noise
MIC input
,
EIN=-120 dBu / 150 ohms
LINE input
,
S/N > 75 dBA
Dynamic Range
From Line to PGM > 90 dBA (CD quality)
Crosstalk
PGM-REC > 65 dBA @ 1 kHz
Distortion
From LINE to PGM out < 0.03 % THD @30-15.000 Hz
Phase
From Line to PGM
,
< 3º L&R @50-10.000 Hz
Stereo Tracking
Below 0.2 dB error L/R in fader range 0 to 40 dB
Telephone Hybrid Specs
Two channel telephone active Hybrid:
One phone line plus one cellular (Bluetooth linked)
Frequency Response: 200 – 5.000 Hz
Noise: > 60 dBA S/N
Rejection: > 35 dB rejection
NULL adjust in front panel preset
Preference atenuator: 12 dB local announcer interrupt priority
Telephone input lightning discharge safety
Telephone Hybrid input is transformer floating to meet the Public Telephone Service isolation standards. It is protected with SIOV Varistors against soft lightning discharges.
External gas discharge protection is recommended
Talkback Microphone
Included Talkback MIC
,
with Audio Limiter. Noise Cancelled PZM type.
Outputs to Phone Line Hybrid or Studio Speakers & Headphones.
VU-meters & Compression Level
2 x LED VUmeters for PGM. Cuasi peak reading
Microphone compressor level meter 0 – 15 dB
AoIP Optional TCP / IP Digital Streaming Output
Ethernet RJ45 connection to a standard LAN (Option /AoIP)
Used for sending D612 output to transmitter plant with MP3 Internet streaming or using a 5
,
8 GHz 802. Link
Also can be used for AoIP connection with another console located inside or outside studios
It can work in linear PCM at 44.1 & 48 kHz or MP3 VBR
On-Air information using GPIO for remote processors
AoIP Delay and user modes
MP3 Layer 1 (32
,
44.1 and 48 kHz)
MP3 Layer 2 (16
,
22.05 and 24 kHz)
16bit PCM uncompressed (8
,
16
,
32
,
44.1 & 48 kHz)
Full duplex (transmitting and receiving)
Delay using PCM at 48 kHz Fs (recommended) Less than 5 mS
Delay using MP3 streaming. Average 100 mS
Power
Switching external power supply 90-240 V
,
20VA [28V@0
,
57A]
Dimensions & Weight
Wide: 405 mm; Deep: 385 mm; Height: 95 mm at rear turret
Net Weight: 4.7 Kg
features
8 channels
,
with 5 faders with connectors (used to change it without soldering)
12 stereo inputs:
4 balanced MIC 2 LIN balanced (DIN 5)
,
3 LIN unbalanced (RCA)
,
1 digital input USB
,
2 Hybrid telephone (RJ11 & Bluetooth)
,
1 Monitor Air (Jack 6.35 mm)
4 outputs stereo;
a) Digital: A digital stereo USB output
,
selectable PGM or REC
b) Analog: Program (PGM) balanced & Recordings (REC) unbalanced External Hybrid (In / Out).
5 Monitor Stereo Outputs
,
with muting logic; Speakers Studio
,
Studio Headphones (with Distributor Amplifier)
,
Control Speakers
,
Headphones Control
,
CUE mono (with amplifier and internal speaker).
4 Band EQ Mic
Microphone Audio Compressor
Low Silhouette
,
flush mounting on any table without cutting it
Hybrid with Bluetooth wireless cellphone
Professional Attenuators 100mm Conductive Ceramic 15-year life
Option AoIP to transmit digital audio over Ethernet / Internet
External switching power supply: 90-240 V / / 50 / 60 Hz Output: 28 V 0
Net-Log-UPS01
1U rack-mount UPS for use with Net-Log
Net-Log-G729
G.729 software licence for one Net-Log (up to 4 mono channels).
Physical Specification
External Dimensions:
1U 19” rack x 22cm deep 48cm (W) x 22cm (D) x 4.2cm (H) (1U)
1U 19” rack x 8.7” deep 19” (W) x 8.7” (D) x 1.7” (H) (1U)
Boxed Dimensions:
55.2cm (W) x 29.5cm (D) x 16.5cm (H)
21.7" (W) x 11.6" (D) x 6.5" (H)
Weight:
2.5kg – 5.5lbs
features
Key Features of Net-Log
Dedicated reliable multi-channel recording hardware.
Easy to use Windows™ remote operation for playback
,
archiving
,
streaming and configuration.
Independently configurable channel pairs to record at different sample rates
,
different bit rates and in mono or stereo.
Recording duration configuration of the channels to suit your needs
,
e.g. 2 channels of low quality logging for 12 months together with two channels of high quality logging for 1 month
,
on one machine.
Record inputs can be controlled remotely
,
e.g. snoop recording from mic-live output of a mixer.
Automated voice recording – each channel can start and stop recording automatically by setting audio threshold levels
,
which means that it can be used for voice controlled systems and telephony recording.
Up to 250
,
000 recordings per channel can be made.
Each Net-Log has its own IP address
,
so a number of machines can be installed on the same network.
Fail-safe alarm indicators and remotes.
Password protection and security access rights to system.
Support for hard disk sizes up to 2048GB.
Recordings can be made using optional G.729 algorithm
,
allowing longer recordings and lower network traffic. G.729 audio quality is comparable to MPEG L2 at 32kbits/sec when used to record/playback speech.
Recording on Net-Log can be controlled serially by Crestron and Televic board room controllers.
Maximum number of daysa playlist may be generated in advance.
Related Artist support. Several artists may be treated as one artist as far as Artist Repeat Protection is concerned. eg. John Cougar
,
John Cougar Mellencamp
,
John Mellencamp.
Related Title support. 2 or more songs with the same tune but with a different title may be treated as one title as far as the Title Repeat Protection is concerned. This is particularly useful for Christmas songs.
Advanced Playlist Editor
Generate personalized HTML playlists for your website or intranet. Staff
,
remote voice tracking DJ's
,
and/or listeners can see what has played and is yet to play. DJ's can see the selected songs for their shift wherever they are in the world.
Global separation rules to prevent too many tracks of the same genre
,
tempo
,
mood
,
energy
,
gender
,
or decade being played too close together.
Track Rating Priority enables tracks with a poorer rating to be selected less often than other tracks.
Recycle Category Tracks will take the songs used during one period of the day and recycle them in another period of the day
,
giving the impression of a larger music library.
Linked Artists for scheduling 2 or more tracks by the same artist in the same hour for special purposes. May contain spots or jingles between the selected tracks.
Last Track Bias attempts to select the last song in the hour to fit as close as possible with the remaining time. Can produce hours within a few seconds of 60 minutes.
Voice Tracking System Easily and quickly record and insert voice announcements into the playlist. This makes your station sound 100% live when unattended in automation mode. Voice tracking provides a way for a DJ to pre-record a show spanning several hours within a few minutes.StationPlaylist Studio Pro supports playing voice tracks simultaneously with the beginning (ramp) of the next song
,
so this combination provides a seamless "live" show for the listener
,
when completely automated/unattended.
Traffic/Billing log file import Supports all major traffic/billing commercial scheduling software including Natural Log
,
AdMaster
,
The Traffic Light
,
Radio Traffic
,
Radio Works for advanced management of advertisements.
Music log file import Converts 3rd party music scheduler logs into the format StationPlaylist Studio requires. Has been utilized with Music 1
,
PowerGold
,
RCS Selector
,
Natural Music
,
etc.
Advertising (Spot) Summary A summary of the advertising spots scheduled in the playlist is generated as a spreadsheet compatible file
,
which may also be printed. This may be used for billing purposes.
Password protection A master password may be applied to prevent all access to Creator. A password may also be applied to protect against creating a playlist
,
and a 3rd password to limit who can edit playlists.
Maximum song categories (eg. music genres
,
tempos)
Maximum spot groups (ads
,
jingles
,
etc)
Maximum rotations (hourly templates of categories/spots)
Maximum schedules (daily templates of rotations used for each hour of each
Live Assist mode
Track Preview / Cueing
Line Input control
Microphone control
Single key keyboard controls
Insert
,
delete & move tracks in the live playlist
48 slot cart machine for instant jingles
96 slot cart machine
Play Carts via push buttons
2 Users
Unlimited Users
Automation mode
Run unattended indefinitely
Advanced automatic crossfading using one soundcard
Voice track / song ramp overlapping
Auto Speed function
Sound processing – Compressor / Limiter
Replay Gain
Internet streaming
Stream Server Metadata Integration
Additional metadata output
Stream Listener Statistics
Website Song Requester
Include "Now Playing" details on your website
Earn money from music sales
Read existing file tags
Custom file tags
External I/O device integration
Automated satellite feeds
Station networking
Break Note support
Timed Events
Automated time-of-day announcement support
Automated temperature announcement support
Detailed logging of songs played
Detailed logging of spots played
Failsafe redundancy using Studio Monitor
Record audio to file
Cue Sheets
Password protection
Plays all major audio file formats
Play Internet streams/files
Plays several video formats
Global Clock Offset
API support for Developers
12 months free updates and email support
High Accessibility
<h2>Features: Front</h2>
<ul>
<li>1" soft-dome “Poke-Resistant” tweeter</li>
<li>5" custom high-efficiency LF woofer</li>
<li>Accurately tuned front-firing bass port -allows near-wall placement and ensures optimal LF performance</li>
</ul>
<h2>Features: Rear</h2>
<ul>
<li>Balanced and unbalanced inputs for maximum flexibility</li>
<li>Plug in your phone /tablet for instant listening gratification</li>
<li>Adjust volume and EQ to match your listening environment</li>
<li>75 Watt Bi-Amp module and active crossover filter ensures maximum power and tonal clarity</li>
<li>Rubber padded base for acoustical isolation</li>
</ul>