

Mackie Onyx16
The Mackie Onyx16 is a premium 16-channel USB-equipped analog mixer with professional award-winning preamps and built-in customizable effects.
$ 630.03
Mackie Onyx16 – 16-Channel Premium Analog USB Mixer
The Mackie Onyx16 is a powerhouse 16-channel premium analog mixer designed for professional audio engineers, musicians, live performers, and studio producers who demand outstanding sound quality, advanced routing flexibility, and durable build quality. Featuring high-resolution 24-bit/96kHz USB multitrack recording, Onyx mic preamps, and a comprehensive suite of EQs and effects, the Onyx16 delivers everything you need to elevate your sound in both live and studio environments.
Built with rugged metal chassis and sleek design, the Onyx16 offers studio-quality preamps and a flexible feature set, making it perfect for hybrid work environments. Whether you’re mixing a live gig, tracking a full band, podcasting, or running a multi-source event, this console ensures pristine signal fidelity, intuitive control, and robust connectivity.
A standout feature is the 13-segment stereo LED meters for professional level monitoring, while Bluetooth integration allows effortless streaming and device playback. The onboard 4-band Perkins EQ (on all channels) enables precision tonal shaping inspired by classic British EQ circuits, and the built-in GigFX™ effects engine adds rich depth with studio-quality reverbs, delays, and modulation effects.
✅ Key Features
✅ 16-Channel Analog Mixer – Ideal for live sound, recording, and hybrid workflows
✅ Onyx Mic Preamps – Ultra-low noise, high-headroom performance
✅ 24-Bit/96kHz USB Interface – Multitrack recording with studio-grade clarity
✅ Bluetooth Streaming & Playback – Wireless connectivity for convenience
✅ 4-Band Perkins EQ – British-style EQ with sweepable mids on every channel
✅ Built-in GigFX™ Effects Engine – Includes 24 FX presets including reverbs, delays, and more
✅ 13-Segment Stereo LED Metering – Visual level monitoring for accurate mixing
✅ Hi-Z Inputs for Instruments – Plug guitars and other instruments directly
✅ Stereo Subgrouping with Compression – Advanced routing and dynamics control
✅ Rugged All-Metal Chassis – Built to withstand demanding gigs and transport
🎚️ The Mackie Onyx16 is the perfect fusion of analog warmth and digital versatility, making it a go-to solution for serious audio professionals.
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Assigning an Input Channel to an Output Bus – Switches at the top of the channel are used to select the output group routing ,to either Program ,Audition ,or both output busses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix busses. The buttons illuminate green to indicate the routing status. or Balance – The BAL/PAN control is used on mono channels to pan the mono input signal in the stereo image and on stereo channels to balance the stereo image. the selection is cancelled on release ,otherwise the button is alternate action. routing and timers ,etc. When unlit ,the channel is off. Flashing red indicates that the channel has been selected to ON but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed” ,ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively ,with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON). every button on each channel can be set to a number of different modes to aid the use of the mixer and allow for extra functionality. Each button can be set to either operate manually ,be permanently on ,or permanently disabled. Also ,the ON button can be configured to operate in a number of modes ,altering remote start functions ,and the channel ON function can be controlled remotely by automation playout systems ,such as RCS® or VCS. |
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Technical Specification For S2 Input/Output Impedances Mic Input: Mono Line Input: Stereo Line Input: PGM & AUD Output: Mono Output: Monitor Outputs: AES Input/Output: S/PDIF Input/Output: BNC Wordclock input: Input/Output Gain Range Mic Input: TRIM pot ±12dB Mono Line Input: TRIM pot ±12dB Stereo Line Input: TRIM pot ±12dB Telco Input: TRIM pot ±12dB Telco Output: Mix Minus Input: TRIM pot ±12dB Mix Minus Output: Digital Input: Digital Output: Frequency Response Mic Input: -1dB ,+0dB (-3dB at 130Hz with HPF in) Line Inputs: – 0.5dB ,+0dB RIAA Input: Noise (20Hz to 20kHz) Mic Input E.I.N.: Stereo Inputs (fader down ,no routing): Stereo Inputs (fader down ,one channel routed): Stereo Inputs (unity gain ,no routing): Stereo Inputs (unity gain ,one channel routed): Stereo Inputs (unity gain ,two channels routed): Distortion Total Harmonic Distortion: 0dB 0.025% at 10kHz ,0dB Crosstalk Inter-channel: Stereo: Equalisation LF Shelving at 100Hz: HF Shelving at 6.5kHz: Range Pan Range: Balance Range: Common Mode Rejection Ratio Mic Input: Digital I/O Sync Input Sample Rate: Output Sample Rates (Using Onboard Clock): 44.1kHz ,48kHz ,& 96kHz Output Sample Width: 20 ,24 bit (24 bit on V2 ODA/ODP) Output Headphone Output Load: 400Ω recommended Maximum Output (Analogue): Power Power (S2-PSU): switchable 115V ,230V ,fused ,210W max. Dimensions (S2-PSU): (Raw): Dimensions (S2-PSU): (Boxed): Weight (S2-PSU): Nett: 13.2lbs Gross: 17lbs Dimensions (S2-PSUS): (Raw): Dimensions (S2-PSUS): (Boxed): Weight (S2-PSUS): Nett: 3.5lbs Gross: 4.4lbs |
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