Allen & Heath XB-14-2

Name: Allen &amp; Heath XB-14-2
SKU: 101281
Availability: InStock

The Allen & Heath XB-14 is designed for a broad range of applications from small radio or internet broadcast studios, to larger studios.

Original price was: $ 1,918.67.Current price is: $ 1,827.03.

SKU: 101281 Brand: Allen & Heath

The Allen & Heath XB-14-2 offers a host of specialised broadcast features that normally come at a much higher price, including telephone communication (telco) channels, mic channel ON switch sensing, stereo channel start/cue outputs for playback device control, automatic muting of speaker outputs and much more.

XB-142 incorporates new features and styling based on feedback from the many broadcasters who have built their operations around the original XB-14. With a wealth of routing options, dual stereo channels for up to 7 stereo sources, and the addition of a dedicated Audition bus, enhanced microphone preamps and stereo channel gain range, XB-142 satisfies the demands of small radio and internet broadcasters as well as larger studios with multiple rooms. With no less than 27 logic I/O for remote control and 15 configuration switches, XB-142 is a highly flexible solution.

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specification	Specifications Audio Inputs 2 (two) stereo inputs each module; One balanced stereo line (or mono Mic in 2610 & 2612); and one unbalanced AUX. Option USB 2602 , 2 stereo Digital inputs & 2 stereo Digital outputs by USB Inputs Level/Impedance Balanced MIC= -25 dBu/-80 dBu; 150/250 Ohms Balanced LINE = -20 dBu/+22 dBu; 600~ 10Kohms Unbalanced AUX = -20 dBu/+15dBu; 600~ 10Kohms Inserts for both MIC inputs in microphone modules. Stereo insert for LINE A in LINE modules. Phantom 48v Standard phantom 48V power supply for up to 10 microphones. Outputs 3 bus outputs; PGM & AUD balanced + 4 dBm; AUX Unbalanced + 4 dBm Balanced Outs; Max Level +26dBu (10K) , +20dBm (600ohms) Unbalanced Outs; Max Level = +20dBm/600 ohms Optional Digital AES/EBU output for PGM & AUD. Digital Levels AES-3/SPDIF outputs TCP/IP & USB inputs & outputs; 0VU RMS is set at -15dB Ref Full Scale level. 0dB Peak is set to 100% Full Digtal Scale Monitor & Hybrid Outputs 1 Separate Hybrid CUE , +4dBu / 10K 1 Hybrid On-Air Receive + 4 dBu/10K 1 Hybrid send (MIX-Minus) +4 dBu / 10K CUE Monitor Internal Monitor Amplifiers: 3W CUE monitor with internal speaker. 2 Stereo Monitor outputs; Control Room & Studio , with Muting Relays (line level). Microphone Processor Optional MIC module model 2612 , 160mm wide , with 3 MIC with processing facilities. 4 band EQ , 80 Hz and 10 kHz shelving , 160 Hz & 5 kHz bell shaped; +/- 14 dB action. Expander Gate to eliminate backgound noise. Audio Compressor , 20 dB action. Iluminated switchs for EQ and Compressor-Expander Monitor & Hybrid Outputs 1 Separate Hybrid CUE , +4dBu / 10K 1 Hybrid On-Air Receive + 4 dBu/10K 1 Hybrid send (MIX-Minus) +4 dBu / 10K Headroom 22 dB @ LIN to PGM Ref + 4dBu/10 k Digital Control Bus One Start Devices output for each input module , to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF = Open Manages 0-24 V DC @ 100 mA Frequency response 20-20.000 Hz +/- 0.25 dB (LIN or MIC to PGM) Noise MIC input , EIN=-132 dBu/150 ohms LINE input , S/N > 95 dBA at PGM output Dynamic Range From Line to PGM > 110dBA (Better than CD quality) Crosstalk PGM-AUD-SEND > 90 dBA @30-10.000 Hz L-R & R-L > 80 dBA @ 1khz Distortion From LINE to PGM out < 0.01 % THD @30-15.000 Hz From MIC to PGM out < 0.01 % THD @30-15.000 Hz Phase From Line to PGM , < 2º L&R @50-10.000 Hz Stereo tracking Below 0.2 dB error L/R in fader range 0 to 40 dB Phone Hybrid 3 Hybrid inputs , 2 for phone lines and one for cellular phone at 4 wires. It includes a mini-PBX with Ringer , Line attention with free hands operation , and Line Transfer. Talkback Microphone Included Talkback MIC , with Audio Limiter. Noise Cancelled PZM type / Outputs to Phone Line Hybrid and Studio Speaker with AutoSwitch (AutoSwitch allows one-touch Studio communication) VU-meters 2600XL: 4 digitally controlled VUmeters 24 steps of 1 dB , DUAL type (RMS & Peak) for PGM & AUD. One Timer/Clock and one Stereo Phase Vector display Timer /Clock Option Timer counts minutes: seconds during on-air MIC in order to avoid excessive speaker on-air time When the Timer is off , a standard clock is activated ON-AIR Signal ON-AIR signal output (turns on when MIC is open) 12 VDC @ 0 , 3 amp Start external devices One Start Devices output for each input module , to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF= Open. Manages 0-24 VDC @ 100 mA. This allows to control Virtual Rack processors and start audio devices. Power 110-127 V / 190-240V , with switch , 50/60 hz , 80 VA Dimensions & Weight XL model: 840 wide x 585 depth x 135 height – Weight 15 Kg BOX : 90 x 65 x 25 cm , 2 Kg 2600XD: 845mm wide , 635mm depth , 125 mm height – Weight 15 Kg BOX: 90 x 70 x 20 cm , 2 Kg

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specification	D612 Digital & Analog Console Audio Inputs 4 balanced MIC inputs (XLR) 2 balanced stereo Line inputs (DIN 5) 3 unbalanced stereo Line inputs (RCA) 1 Digital stereo Line input (USB) Inputs Level & Impedance Balanced MIC= -10 dBu/-75 dBu; 150 / 250 Ohms Balanced LINE = -20 dBu / +26 dBu; 600~ 10Kohms Unbalanced LINE = -15 dBu / +12 dBu; 600~ 10Kohms Phantom Power Two MIC inputs have 48 V phantom power supply , switchable ON / OFF Analog Outputs 2 bus stereo outputs; PGM (6 , 35mm , TRS plug) & REC (RCA connector) Both at + 4 dBm = 0 VU PGM balanced: Max Level +26dBu (10K) , +20dBm (600 ohms) REC unbalanced , Max level 20 dBu External Hybrid: unbalanced Mic-Minus out at + 4 dBu Digital USB Input / Output USB digital In/Out; Input to channel 5; Output to PGM or REC It uses the K15 Overload recommendation for broadcating; Then , 0 VU is at -15 dB Full Scale level ON-AIR Signal ON-AIR Tally Light output (turns on when MIC is open) 12 V CC @ 0 , 12 amp (two Solidyne On-Air lights) Monitor & Hybrid Outputs 1 Stereo Studio , 0 dBu for active speakers , muted 1 Stereo Control , 0 dBu for active speakers , muted 1 Stereo Studio Headphones , with Distribution AMP up to 5 headphones , + 10 dBu 1 Stereo Control Headphones , + 10 dBu 1 External Hybrid send (MIX-Minus) +4 dBu / 10K CUE Monitor Internal CUE Monitor Amplifier; 250 mW , with speaker included Headroom 22 dB @ LIN to PGM Ref + 4dBu/10 k Frequency Response 20-20.000 Hz +/- 0.25 dB (LIN to PGM) 20-20.000 Hz +/- 0 , 5 dB (MIC to PGM) MIC Equalizer Four Bands MIC EQ with In/Out switch; 80 Hz top flat curve , 160 Hz bell shaped , 4 kHz bell shaped , 8 kHz top flat curve Action + 15 dB / -15 dB MIC Compressor Low distortion MIC compressor with In/Out switch. 20 dB max compression. Attack time < 10 ms. Threshold = 0 VU Compression ratio: < 2 dB variation for 15 dB change MIC level Noise MIC input , EIN=-120 dBu / 150 ohms LINE input , S/N > 75 dBA Dynamic Range From Line to PGM > 90 dBA (CD quality) Crosstalk PGM-REC > 65 dBA @ 1 kHz Distortion From LINE to PGM out < 0.03 % THD @30-15.000 Hz Phase From Line to PGM , < 3º L&R @50-10.000 Hz Stereo Tracking Below 0.2 dB error L/R in fader range 0 to 40 dB Telephone Hybrid Specs Two channel telephone active Hybrid: One phone line plus one cellular (Bluetooth linked) Frequency Response: 200 – 5.000 Hz Noise: > 60 dBA S/N Rejection: > 35 dB rejection NULL adjust in front panel preset Preference atenuator: 12 dB local announcer interrupt priority Telephone input lightning discharge safety Telephone Hybrid input is transformer floating to meet the Public Telephone Service isolation standards. It is protected with SIOV Varistors against soft lightning discharges. External gas discharge protection is recommended Talkback Microphone Included Talkback MIC , with Audio Limiter. Noise Cancelled PZM type. Outputs to Phone Line Hybrid or Studio Speakers & Headphones. VU-meters & Compression Level 2 x LED VUmeters for PGM. Cuasi peak reading Microphone compressor level meter 0 – 15 dB AoIP Optional TCP / IP Digital Streaming Output Ethernet RJ45 connection to a standard LAN (Option /AoIP) Used for sending D612 output to transmitter plant with MP3 Internet streaming or using a 5 , 8 GHz 802. Link Also can be used for AoIP connection with another console located inside or outside studios It can work in linear PCM at 44.1 & 48 kHz or MP3 VBR On-Air information using GPIO for remote processors AoIP Delay and user modes MP3 Layer 1 (32 , 44.1 and 48 kHz) MP3 Layer 2 (16 , 22.05 and 24 kHz) 16bit PCM uncompressed (8 , 16 , 32 , 44.1 & 48 kHz) Full duplex (transmitting and receiving) Delay using PCM at 48 kHz Fs (recommended) Less than 5 mS Delay using MP3 streaming. Average 100 mS Power Switching external power supply 90-240 V , 20VA [28V@0 , 57A] Dimensions & Weight Wide: 405 mm; Deep: 385 mm; Height: 95 mm at rear turret Net Weight: 4.7 Kg
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features	Assigning an Input Channel to an Output Bus – Switches at the top of the channel are used to select the output group routing , to either Program , Audition , or both output busses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix busses. The buttons illuminate green to indicate the routing status. Changing the Input Level – Coarse gain is set using pre-set potentiometers on the channel circuit board which allow unbalanced inputs to be used on mono and stereo line inputs. The front panel TRIM control allows fine gain of ±12dB. Changing the Signal Pan , or Balance – The BAL/PAN control is used on mono channels to pan the mono input signal in the stereo image and on stereo channels to balance the stereo image. CUE/PFL (Pre Fade Listen) – Selecting the CUE/PFL button routes the pre-fader input signal to the monitoring system where the signal can be heard via headphones and/or loudspeakers. The button lights green when CUE/PFL is active and a jumper option is available to cancel the CUE/PFL selection when the fader is raised. This button works with both a momentary and latched operation – if held down , the selection is cancelled on release , otherwise the button is alternate action. Fader Start & ON Button Control – The ON button works in conjunction with the 100mm long-throw carbon fader and is used to control channel remotes (e.g. starting a CD player) , routing and timers , etc. When unlit , the channel is off. Flashing red indicates that the channel has been selected to ON but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed” , ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively , with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON). Programmable Button Settings – To make the S2 modules as flexible as possible , every button on each channel can be set to a number of different modes to aid the use of the mixer and allow for extra functionality. Each button can be set to either operate manually , be permanently on , or permanently disabled. Also , the ON button can be configured to operate in a number of modes , altering remote start functions , and the channel ON function can be controlled remotely by automation playout systems , such as RCS® or VCS. Scribble Pad – A scribble pad is provided at the bottom of the channel for user labelling of the channel function.
specification	Technical Specification For S2 Input/Output Impedances Mic Input: > 1k5Ω electronically balanced Mono Line Input: > 20kΩ electronically balanced Stereo Line Input: > 20kΩ electronically balanced PGM & AUD Output: < 75Ω electronically balanced Mono Output: < 75Ω electronically balanced Monitor Outputs: < 75Ω unbalanced AES Input/Output: 110Ω S/PDIF Input/Output: 75Ω BNC Wordclock input: 50Ω Input/Output Gain Range Mic Input: Preset pot +13dB to +66dB ref -50dBu , TRIM pot ±12dB Mono Line Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Stereo Line Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Telco Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Telco Output: Preset pot -6dB to +4dB ref 0dBu Mix Minus Input: Preset pot -6dB to +10dB ref 0dBu , TRIM pot ±12dB Mix Minus Output: Preset pot -3dB to +3dB ref 0dBu Digital Input: 0dBFS = +12dBu on input; TRIM pot ±12dB allowing 0dBu to +24dBu Digital Output: 0dBFS = +18dBu Frequency Response Mic Input: 40Hz to 20kHz , -1dB , +0dB (-3dB at 130Hz with HPF in) Line Inputs: 20Hz to 20kHz , – 0.5dB , +0dB RIAA Input: 30Hz to 16kHz ±1.5dB RIAA equalised Noise (20Hz to 20kHz) Mic Input E.I.N.: -129dB with 150Ω source Stereo Inputs (fader down , no routing): -89dB ref 0dB Stereo Inputs (fader down , one channel routed): -89dB Stereo Inputs (unity gain , no routing): -89dB Stereo Inputs (unity gain , one channel routed): -86dB Stereo Inputs (unity gain , two channels routed): -83dB Distortion Total Harmonic Distortion: 0.015% at 1kHz , 0dB 0.025% at 10kHz , 0dB Crosstalk Inter-channel: < -90dBu Stereo: -90dBu at 1kHz Equalisation LF Shelving at 100Hz: ±7dB HF Shelving at 6.5kHz: ±7dB Range Pan Range: off/-3dB centre/off Balance Range: ±6dB Common Mode Rejection Ratio Mic Input: > 100dB at 70dB gain Digital I/O Sync Input Sample Rate: 30kHz – 100kHz Output Sample Rates (Using Onboard Clock): 32kHz , 44.1kHz , 48kHz , & 96kHz Output Sample Width: 16 , 20 , 24 bit (24 bit on V2 ODA/ODP) Output Headphone Output Load: >45Ω , 400Ω recommended Maximum Output (Analogue): +26dBu balanced into 2kΩ or greater Power Power (S2-PSU): Filtered IEC , switchable 115V , 230V , fused , 210W max. Dimensions (S2-PSU): 48cm (W) x 24.3cm (D) x 8.8cm (H) (Raw): 19” (W) x 10” (D) x 3.5” (H) Dimensions (S2-PSU): 51cm (W) x 41.5cm (D) x 17cm (H) (Boxed): 20” (W) x 16.3” (D) x 6.7” (H) Weight (S2-PSU): Nett: 6kg Gross: 7.8kg Nett: 13.2lbs Gross: 17lbs Dimensions (S2-PSUS): 48cm (W) x 23cm (D) x 4.4cm (H) (Raw): 19” (W) x 9” (D) x 1.7” (H) Dimensions (S2-PSUS): 55cm (W) x 39.3cm (D) x 8.5cm (H) (Boxed): 21.6” (W) x 15.5” (D) x 3.4” (H) Weight (S2-PSUS): Nett: 1.58kg Gross: 2kg Nett: 3.5lbs Gross: 4.4lbs
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