For 50 years, Orban has been the benchmark for professional audio processing continuing today to provide state-of-the-art solutions for radio and tv broadcasters.
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Orban OPTIMOD-PC 1101e
In stock
Weight | 2 kg |
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Dimensions | 15 × 20 × 5 cm |
features |
Orban Optimod-PC 1101 Main Features: Dramatically improve audio consistency dynamically with that world-renowned Optimod sound for professional content/commercial insertion systems ,and watermark encoding mixing ,and processing |
specification |
System Number of Audio Processors each consisting of the following cascaded processing elements: Internal Processing: Input —>Stereo Enhancer —>Two-Band defeatable AGC with window gating —>Five-Band Equalizer/HF Enhancer —>Multiband Compressor —>Look-ahead Limiter —> Automatic Loudness Controller —>Output. Number of Channels: " "Direct 1 ," and "Direct 2") ,however 1101 can only apply stereo or dual-mono audio processing to the output of the "Processed" bus. The remaining two "Direct" busses are applied to the Output Routing Switcher but cannot be further processed. See block diagram. Frequency Response: 2-20 ,000Hz Input/Output Delay: 29.97 fps (NTSC color video; 33.37ms) ,25 fps (most PAL video; 40ms) ,and 24 fps (film; 41.67ms). "Minimum" delay is also available; this delay will vary according to the processing structure in use and crossover mode settings. Internal Filters: 11 ,12 ,13 ,14 ,15 ,and 20kHz can be used to provide additional anti-aliasing for low sample rate services ,such as Internet Streaming Encoders ,Eureka-147 (24kHz mode) ,iBiquity HD-AM (32kHz) and Digital Radio Mondiale. Internal Sample Rate: Wave Sample Rate: Internal Resolution: Input/Output Resolution: Peak Control Accuracy: maximum overshoot of any output sample is 0.1dB. This is true at 48kHz output sample rate. If sample rate conversion after internal processing makes output samples asynchronous with internal samples ,output samples can overshoot as much as 1dB (0.3dB typical). Phase Response: AGC (Automatic Gain Control): Two-Band ,Gate and Window enabled. Stereo Enhancer: Equalizers: selectable 6 dB ,12dB or 18dB/octave. Three-band Parametric EQ with analog-style bell-shaped curves. Program Adaptive HF Enhancer. Multiband Compressors: Five-Band and Two-Band ,selectable by mute-free crossfade. Limiter: Look-ahead IM distortion reduced ,competitive with the best dedicated mastering limiters ,achieving high loudness with a remarkable lack of side-effects. Loudness Controller: as further refined and developed by Orban. The algorithm also drives a subjective loudness meter ,which is displayed on the 1101's GUI. In dual-mono mode ,there are two independent loudness controllers and meters. Number of Factory Presets: each with 19-step LESS-MORE control. Presets are fully customizable with FULL CONTROL. In addition to presets for full processing ,there are also "AGC" and "Look-ahead Limiter" presets. Number of User Presets: WAVE AUDIO INPUT Number of Inputs: Configuration: Sound Devices: Driver: this could include single or multiple player applications ,such as an audio playout system with multiple players ,content insertion system ,or audio over IP routed into the host computer through an Ethernet port ,and/or multiple streaming audio encoders. Because the driver is multiclient ,it allows it to source multiple applications simultaneously. A versatile mixer and router application allows you to mix digital ,analog ,and wave inputs to three busses (one with OPTIMOD-PC processing and two without) and to route the outputs of the "Processed" and "Direct" busses to the Analog ,Digital ,and Wave Outputs in any configuration or combination ,such that any output can receive any bus or the unprocessed Wave Input. Content insertion systems that would normally require two sound devices can be configured to work with one 1101 Optimod-PC ,requiring only one PCI or PCIe slot per program source. Sample Rate: Sync: Word Clock ,or 10MHz input can be used as source for external sync. Input Level: Software adjustable via Optimod-PC Mixer Application and Windows Mixer API WAVE AUDIO OUTPUT Number of Outputs: Configuration: Sound Devices: Driver: such as audio encoders ,recorders ,and content insertion systems running on the host system ,and/or the card physical outputs via the Mixer Application. Software applications running on the host system do not require the use of physical cables to connect Wave Inputs and Outputs to applications ,eliminating any unnecessary digital sample rate conversion. Content insertion systems that would normally require two sound devices can be configured to work with one 1101 Optimod-PC ,requiring only one PCI or PCIe slot per program source. Sample Rate: 44.1kHz ,48kHz ,selected in software. External Sync to either AES/EBU or Clock Input at 32kHz ,44.1 kHz ,48 kHz ,88.1 kHz ,96 kHz ,or 10MHz ,all ±4%. Sync: Word Clock ,or 10MHz input can be used as source for External Sync. Wave data will be clocked to software configurable Internal or External sources. Jitter: Output Level Control: Software adjustable via Optimod-PC Mixer Application and Windows Mixer API. ANALOG AUDIO INPUT Number of Inputs: Configuration: Impedance: electronically balanced ,floating and symmetrical. Nominal Input Level: -2dBu / +21dBu PPM. Software adjustable via Optimod-PC Mixer Application and Windows Mixer API. Maximum Input Level: peak. Reference Level: A-D Conversion: Audio Connector: EMI suppressed. ANALOG AUDIO OUTPUT Number of Outputs: Configuration: Source Impedance: electronically balanced and floating. Load Impedance: balanced or unbalanced. Termination not required or recommended. Output Level: +24dBu balanced. Software adjustable via Optimod-PC Mixer Application and Windows Mixer API. Signal-to-Noise: 20Hz-20kHz (bypass mode) (Note: To prevent out-of-band noise from causing falsely high noise readings ,noise and distortion specifications must be verified by a bandpass filter having a very sharp cutoff at 20 kHz.). Distortion: 20Hz-20kHz. (Note: To prevent out-of-band noise from causing falsely high noise readings ,noise and distortion specifications must be verified by a bandpass filter having a very sharp cutoff at 20 kHz.) DA Conversion: DC Offset: Highpass Filter: Audio Connector: EMI suppressed. DIGITAL AUDIO INPUT Number of Inputs: each with Sample-Rate Converter. The two inputs can accept asynchronous inputs and will allow them to be mixed. One of the inputs can also be configured as sync reference to lock output sample rate to the sample rate at this input. Configuration: 24-bits resolution ,software selection of stereo ,mono from left ,mono from right ,or mono from sum (as source to use as a mono processor). User Bits: Impedance: 110 ohm impedance ,AES/EBU. Sample Rate: Input Level: Software adjustable via Optimod-PC Mixer Application and Windows Mixer API. Frequency Response: 000Hz ±0.1dB (Digital I/O). Internal Digital Input: Audio Connector: EMI suppressed. Word Clock Connector: EMI Suppressed and/or BNC. DIGITAL AUDIO OUTPUT Number of Outputs: Configuration: software selectable. Output Level Control: Software adjustable via Optimod-PC Mixer Application and Windows Mixer API. Sample Rate: 44.1kHz ,48kHz ,88.1 kHz ,or 96 kHz ,selected in software. Can also be synced to either AES/EBU input at 32kHz ,44.1 kHz ,48 kHz ,88.1 kHz ,or 96 kHz ,all ±4%. Word Length: 20 ,18 ,or 16-bit. Optional dither can be added ,with level adjusted appropriate to word length. This is first-order noise-shaped dither. (i.e. ,white TPDF dither of peak amplitude equal to the quantizer step size with noise shaping spectral density of 6dB/octave.) It sounds substantially quieter than white triangular PDF dither but ,in contrast to more extreme noise-shaped dither ,it adds only 3dB unweighted noise by comparison to white PDF dither. Sync: Word Clock ,or 10MHz input can be used as source for external sync. Frequency Response: 000Hz ±0.1dB (Digital I/O). Signal-to-Noise: Dynamic Range: THD+N: 1kHz ,-1dBFS (bypass mode) (Digital I/O). Crosstalk: Internal Digital Output: Audio Connector: EMI suppressed. AUDIO CABLE ASSEMBLY OPTIONAL: Audio Inputs are XLR Female ,Audio Outputs are XLR Male ,Clock Input is BNC Female Some applications will not require the use of external audio I/O ,and therefore do not require a cable. Cable wiring Tascam compatible. POWER PCI Connector: +12V at 200mA maximum ,±15 derived from DC-DC converter. PCIe Connector: +12 at 200mA ,±15 derived from DC-DC converter. COMPUTER Minimum System Requirements: Microsoft Windows 2000 – Intel Pentium IV 800 MHz RAM 64MB ,128MB recommended. Microsoft Windows XP – Intel Pentium IV 1.0 GHz ,RAM 128MB ,256MB recommended. Microsoft Windows Vista – Intel Pentium IV 1.0. GHz ,RAM 512MB ,1024MB recommended. This provides the minimum recommended CPU power to control an arbitrary number of Optimod-PC cards with external audio sources. Audio player and/or encoding software will require additional CPU power. Bus: 32-bit ,33MHz ,transfer rate up to 132MBytes/sec. Will operate in 3.3V or 5V PCI slot ,and bus extenders. PCI-X 2.0 compliant. Plug and Play supported. PCIe: Audio Drivers: WDM Audio DirectSound ,multi-client ,bus-mastering 32/64-bit Microsoft Windows Vista ,WDM Audio ,DirectSound ,multi-client ,bus-mastering 32/64-bit Microsoft Windows 7 ,WDM Audio ,DirectSound ,multi-client ,bus-mastering 32/64-bit Software: The control application provides subjective adjustment controls of the audio processing and remote administration. It also allows factory and user presets to be recalled from and save to a host storage device such as a hard disk drive or removable drive. The control application client addresses multiple Optimod-PC cards ,either housed in the local host or anywhere on a TCP/IP network or by local serial communication. The control application also functions as a server ,interfacing cards installed in a given host computer with the network for control and monitoring. API: IP API provides complete remote administration over TCP/IP. The OPTIMOD-PC Service application hosts a TCP/IP Terminal Server to allow external control of the OPTIMOD-PC cards from either a Telnet/SSH client or a custom third party application. All OPTIMOD-PC Presets and Mixer Controls are accessible and all commands are simple text strings ,which are broadcast to all active clients to remain updated with current status. Telnet/SSH: TCP/IP Port user assignable. Serial API provides complete remote administration over Serial port communication. The OPTIMOD-PC Service application hosts a Serial terminal server to allow external control of the OPTIMOD-PC cards from either a terminal client or a custom third party application. All OPTIMOD-PC Presets and Mixer Controls are accessible and all commands are simple text strings. Compatible with terminal programs such as Windows HyperTerminal ,and PuTTY VT-100 clients. COM Port user assignable from COM1 to COM100. Status Monitoring: Mixer Control status ,Active Preset ,Control Application Connections ,and Control Client Connections. (in development) REGULATORY Certifications: RoHS compliant. ENVIRONMENTAL Size: |
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Orban OPTIMOD-PCn 1600
In stock
Orban OPTIMOD 6300
In stock
Weight | 8.2 kg |
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Dimensions | 60 × 60 × 15 cm |
features |
User-Friendly Interface An LCD and full-time LED meters make setup ,adjustment and programming of the 6300 easy you can always see the metering while you are adjusting the processor. Navigation is by dedicated buttons ,soft buttons (whose function is context-sensitive) ,and a large rotary knob. The LEDs show all metering functions of the processing structure (Two-Band or Five-Band) in use. to "Modify" processing ,or to access the system's Setup controls. Absolute Control of Peak Modulation The 6300 precisely controls peak levels to prevent clipping or overmodulation in transmission media. The maximum level of the digital samples is controlled to better than 2%. accuracy is 0.2 dB Without true peak control ,analog clipping can occur even if all peak values of the digital samples are below 0 dBFS. This phenomenon has also been termed "0 dBFS+." sample rate conversion ,unless it removes high frequency program energy or introduces group delay distortion ,cannot cause sample peaks to increase more than 0.5 dB. For example ,sample rate con-version from 48 kHz to 44.1 kHz is highly unlikely to cause sample peak clipping in the 44.1 kHz audio data. the 6300 can also provide pre-emphasis limiting for the two standard preemphasis curves of 50µs and 75µs. This allows it to protect pre-emphasized satellite uplinks and similar channels where protection limiting or light processing is required. Flexible Configuration The 6300 includes analog and dual AES3 digital inputs and outputs. The digital input and digital outputs have sample-rate converters and can operate at 32 kHz ,44.1 kHz ,48 ,88.2 ,and 96 kHz sample rates. The pre-emphasis status and output levels are separately adjustable for the analog and digital outputs. independent audio processing for flat and pre-emphasized channels. Even though one output may be pre-emphasized while other is flat ,the only difference between the outputs is that the "flat" output has de-emphasis applied to it after the processing while the pre-emphasized output does not. all configurable to use or bypass look-ahead limiting. while 10 kHz is appropriate for 24 kHz sample frequency. facilitating dual-language operation. In this mode ,both processing channels operate using the same processing parameters (like release time); you cannot adjust the two channels to provide different processing textures. Adaptability through Multiple Audio Processing Structures A processing structure is a program that operates as a complete audio processing system. Only one processing structure can be on-air at a time. The 6300 realizes its processing structures as a series of high-speed mathematical computations made by Digital Signal Processing (DSP) chips. and Two-Band for a transparent sound that preserves the frequency balance of the original program material while also effectively controlling subjective loudness. Orban's PreCode™ technology manipulates several aspects of the audio to minimize artifacts caused by low bitrate codecs ,ensuring consistent loudness and texture from one source to the next. PreCode includes special audio band detection algorithms that are energy and spectrum aware. This can improve codec performance on some codecs by reducing audio processing induced codec artifacts ,even with program material that has been preprocessed by other processing than Optimod. There are several factory presets tuned specifically for low bitrate codecs. preventing audience irritation. The controller measures subjective loudness (as perceived by an average listener) and then closes a feedback loop to limit loudness to a preset level. It effectively controls loud commercials ,which are the primary irritant in sound-for-picture applications. Third generation improvements reduce annoyance more than simple loudness control alone ,doing so without audible gain pumping. New in version 2.0 software is the ability to adjust the attack time ,trading off short-term loudness control against transient punch. labeled Loudness Level in the 6300's GUI ,uses the CBS Technology Center algorithm developed by Jones and Torick. When used to drive a transmission channel using the Dolby Digital® codec ,the Loudness Level meters (one for stereo processing or two for dual-mono processing) can be aligned to the Dialnorm metadata value in the Dolby Digital bitstream conveying the 6300's output signal to the consumer's receiver. When this is done ,the loudness level at the receiver will be correct when the 6300's processing is adjusted to make dialog peak at "0 dB" on the 6300's Loudness Level meter. This processing fully complies with the loudness control requirements in ATSC A/85:2011 and EBU R 128. DVD ,or Blu-ray media. The CBS Loudness Controller is not needed with the Five-Band processing because the Five-Band processing's spectral consistency creates consistent loudness as a desirable byproduct. compressing dynamic range and compensating for both operator gain-riding errors and gain inconsistencies in automated systems. The AGC output is available to drive STLs ,so the 6300 can be used as a studio AGC. making the 6300 perfect for applying subtle compression in mastering applications. The 6300 can be remote-controlled by 5-12V pulses applied to eight programmable ,optically isolated "general-purpose interface" (GPI) ports. Vista ,7 and 8. It communicates with a given 6300 via TCP/IP over modem ,direct serial ,and Ethernet connections. You can configure PC Remote to switch between many 6300s via a convenient organizer that supports giving any 6300 an alias and supports grouping multiple 6300s into folders. Clicking a 6300's icon causes PC Remote to connect to that 6300 through an Ethernet network or initiates a Windows Dial-Up or Direct Cable Connection if appropriate. The PC Remote software allows the user to access all 6300 features (including advanced controls not available from the 6300's front panel) and allows the user to archive and restore presets ,automation lists ,and system setups (containing I/O levels ,digital word lengths ,GPI functional assignments ,etc.). which allows automation of various events (including recalling presets) at pre-programmed times. To ensure accuracy ,the clock can be synchronized to an Internet timeserver. by remote control (from either the 6300's GPI port or the 6300 PC Remote application) ,or by automation to permit broadcast system test and alignment or "proof of performance" tests. facilitating quick and accurate level setting in any system. or locally (by connecting a Windows® computer to the 6300's serial port through the supplied null modem cable). |
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