Solidyne 2600
Solidyne 2600 digital mixing consoles are a new concept for radio and TV studios.
It can be installed in conventional analogue or digital studios using the existing wiring. Then evolve towards Audio over IP systems (AoIP) based on control surfaces.
This will fully use your existing investment in equipment already installed.
But later, by simply adding modules, can go climbing investment toward an AoIP.digital studio
Only Solidyne can offer you this flexible technology that allows increasing investment in your station only when required.
High tech mixers
Control surface AoIP
2600 digital mixing consoles are a new concept for radio and TV studios. It can be installed in conventional analog or digital studios using the existing wiring. Then evolve towards Audio over IP systems (AoIP) based on control surfaces.
This will fully use your existing investment in equipment already installed.
But later, by simply adding modules, can go climbing investment towards a AoIP. Digital studio, only Solidyne can offer you this flexible technology that allows increasing investment in your station only when required.
16-channel 2600XD photo; 4 microphones, 8 balanced lines, 4 USB digital lines, 3 telephone hybrids (total 35 entries)
The new 2600 line of smart consoles will replace your existing technologies because it has:
- New look with low-profile cabinet
- Illuminated push buttons, CPU controlled
- Electronic routing audio without mechanical contacts
- User programmable from the front panel
- Feather touch Ceramic faders with 20-year life
- Timer-Clock and Stereo Phase Vector are now standard
- Digital VU meters 24/32 steps, dual RMS & Peak
- Send BUS with Mix-Minus for Skype / IP Vox
- multimode programmable CUE
- Switching power supply multi-voltage, stabilized
- AoIP option for STL link through Internet
- Virtual2600 option, for remote control of console
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The 2600 consoles have a complete turret with 4 Dual VU meters, Timer, Clock and Phase Vector to know the degree of depth of stereo sound.
Unlike other control surfaces on the market, the 2600 does not need an external PC to measure signal levels. The line 2600, despite its low silhouette, always includes a complete measurement turret. You will never have to interrupt transmission by a fault at the external PC that other manufacturers oblige you to use.
The VU meters have 3 internal micro-computers to get accurate measuring the audio signal, in steps of 1 dB. The VUmeters are DUAL type: RMS (proportional to the sensation of sound loudness) and true PEAK value, that is critical in the digital audio control.
Even a slight overload, switch on during 5 sec the red indication.
It has 24 steps in XL models or 32 steps in XD & XX models.
The Smart Console 2600 is programmable in seconds by the operator. Each channel is adjusted to the user needs without opening the console to move the jumpers.
The 2600 consoles are programmable from the front panel in just seconds.
Can be programmed, for example:
- Microphone 48V phantom
- Control speaker MIC Mute
- CUE solo mode (turns off with other CUE)
- CUE is disconnected by opening attenuator
- MIC is controlled from master mic
- Talkback with AutoSwitch mode (listening answers)
- Return to AIR after a power outage
The CUE buttons accept different working modes programmable by the operator. It can also be connected the monitoring of audio files from one external PC.
You can program which microphone channel will be On Air when pressing Master MIC button
The 2600 has five monitor channels
- 2 channel stereo for active speakers for Studio and Control. With muting and talkback logic
- 2-channel stereo headphone for Studio & Control
- 1 CUE bus
- Telephone call over CUE speaker
- CUE on console or external control speakers
- Telephone lines on HOLD monitored on CUE bus
The Solidyne faders last a full life
The Solidyne extra-smooth faders have two slide bars on steel-silver
The new 2600 line of conductive ceramic faders can be moved with a tiny feather. As seen in the video 2600 This exclusive Solidyne fader has 20 years life. It has a very different construction than the conventional attenuators, because it slides on two steel cylindrical bars with Teflon bushings.
The attenuator generates a DC voltage that controls the module’s internal computer.
The audio signal of the 2600 console never goes into the fader, neither to a switch metal contact because it has electronic routing.
