Description

Biquad PUNCH S

Name: Biquad PUNCH S
SKU: 115065
Price: 2195.00 EUR
Availability: InStock

Analog 5 Band AM/FM Broadcast Audio Processor

High technology with a highly competitive price. Its processing power and efficiency in providing excellent sound in loudness and definition, together with all its features, makes it unique in its price category, being currently, the equipment with the best cost-benefit ratio of the market in its category.

The front panel an encoder to access parameters and configurations, a high contrast OLED display for readings and controls and a USB port on the front panel for direct communication with the computer.
The equipment comes with control software based on a computer, is highly intuitive and is easy to operate. With the software, it is possible to access more efficiently and ease all the equipment controls allowing the user to custom the sound and create different presets, besides being able to choose between the other 20 already preconfigured on the factory.
On the back panel, there is an Ethernet port that also allows remote communication with the control software (from anywhere in the world), besides the input and output audio connections (analogue and digital) and the analogue MPX output and synchronism with the encoder RDS/RBDS. The equipment also has a digital MPX output on AES standard with 24 bits / 192Kpbs resolution that can be connected to modern RF modulators/exciters that already have this type of input.

PUNCH can be configured with additional audio cards on IP (AOIP) on protocols AES67 RAVENNA, DANTE and LIVEWIRE and an exclusive card for stream transmission by internet without the need of a dedicated computer to do it, with different encoder options: MPEG, AAC, OGG VORBIS in many transmission taxes.
With an intelligent AGC input and 5 independent processing bands with sophisticated algorithms masking distortions, the equipment provides an extremely powerful sound without artefacts, clean, clear and defined sounds, allowing the station to have an extremely competitive sound in the air with a very low price.
Provided in rack 19” standard width and one unit rack height (1UR) and 29 cm deep in high standard finishing in brushed stainless steel.

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Weight	1.82 kg
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Product can be split into multiple boxes	0
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specification	664 Specs: Frequency Response 20 Hz to 50 kHz, ± 0.5 dB THD + Noise 0.09% max (50 kHz, +18 dBu at line out, fade fully up) Equivalent Input Noise -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up) Inputs XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max XLR AES: AES3 or AES42 (10 V power), SRC XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual TA3 Line (7-12): active-balanced for use with ≤2k ohm outputs, 10k ohm actual RTN A, B, C (3.5 mm/10-pin): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual Maximum Input Level XLR Mic: 0 dBu (0.78 Vrms) XLR Line: +40 dBu (80 Vrms) RTN A, B, C (3.5 mm/Multi-pin): +24 dBu (12.4 Vrms) High-Pass Filters Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz Input Limiters Individual limiters on both trim and fader stages, +16 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 500 mS release time Link I/O Unbalanced stereo for linking to MixPre, 302, 442, 552, and 664; 2k ohm impedance Maximum Gain Mic-In-to-Line-Out: 93 dB Mic-In-to-Aux-Out, -10 Out: 79 dB Line-In-to-Line-Out: 39 dB Output Type Line: transformer-balanced for use with >=600 ohm inputs, 100 ohms -10: transformer-balanced for use with >=10k ohm inputs, 3.2k ohm Mic: transformer-balanced for use with >=600 ohm inputs, 150 ohms TA3 Mic/Line: active-balanced, pin-2 and 3 driven, for use with >=3k ohm inputs, 1k ohm TA3 Direct Outs Mic/Line: active-balanced, pin-2 and 3 driven, use with >=3k ohm inputs, 1k ohm Tape Outs (3.5 mm and TA3-type): unbalanced, stereo, use with >=6k ohm input, 1.8k ohm actual Headphones (3.5 mm and 1/4"): unbalanced, stereo, use with 8-2k ohm headphones, 50 ohms Line Output Clipping Level (1% THD) 20 dBu minimum with 10k load Maximum Output Level Line: +20 dBu (7.8 Vrms) -10: +6 dBu (1.5 V rms) Mic: -20 dBu (0.078 Vrms) Tape Outs: +6 dBu (1.5 Vrms) Output Limiters Affects analog output. Threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time, 500 mS release time. Recording Tracks 16 tracks (12 inputs, 4 output buses), monophonic or polyphonic Broadcast WAV or timecode-stamped MP3 A/D 24-bit, 114 dB, A-weighted dynamic range typical; 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz SR Digital Outputs AES3 transformer-balanced, in pairs; 1-2 XLR-L, 3-4 XLR-R, 5-6, multi-pin 1, 7-8, multi-pin 2, 110 ohm, 2 V p-p, AES and S/PDIF compatible Recording Storage Type SDHC, SD, SDXC – exFAT for cards >32 GB, FAT32 for <32 GB; CompactFlash (CF) FAT32, will format memory cards in unit Sample/Timecode Accuracy ± 0.2 ppm (0.5 frames per 24 hours) Timecode and Sync Modes Supported: off, Rec Run, Free Run, 24h Run, External Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND Accuracy: Ambient generator, 0.5 frame in 24 hr Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu) Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu) Word In/Out: square wave; 10k/75 ohm, 1-5V p-p input; 75 ohm, 3.3V p-p output, at SR Power External: isolated 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-). Internal: accepts five (5) NiMH, 1.5V Lithium, or Alkaline AA batteries. Note that run time will be very limited when using Alkaline batteries (30 minutes to one hour depending on settings). NiMH or Lithium batteries are the preferred type because of the approximate 2x to 4x run time compared to Alkalines. Environmental Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing) Storage: -40°C to 85°C Dimensions and Weight Dimensions: 5.3 cm x 32 cm x 19.8 cm (H x W x D) 2.1" x 12.6" x 7.8" Weight: 4 lbs. 12 oz. (unpackaged, without batteries)
Color	Black