The Glensound SPARK is the most technically proficient commentary or announcers interface available, from such a small design.
SKU:
108741
€1,610.00€1,530.00
Description
Glensound SPARK
The Spark is the most technically proficient commentary or announcers interface available.
For applications where desk space is at a premium, but quality and features are still paramount, Glensound proudly introduce the Spark.
Spark – With single programme monitor input, and one master output
Glensound Grade Mic Amp
The Spark includes the highly regarded Glensound Grade mic amp system. This results in a clean audio input without distortion or clipping, that can be taken live to air with confidence and without any further processing. The mic input is on the rear panel via a 3 pin XLR socket. A small pot adjusts the gain level and there is a switch for 48v phantom power. Mic gain, phantom power and the compressor can also be set via the GlenController remote software.
Glensound Referee Compressor/Limiter System
Glensound has been fine tuning the way input signals are managed for decades. Glensound boxes are used in live news and sport environments, where the announcer can get immediately over enthusiastic, and be screaming down the microphone. Glensound manage this input in two ways. One by giving the input a high headroom to prevent clipping in the first place, then by using a specially configured compressor/limiter system. This system does not affect the general dynamics of the audio, so there is no lifting of levels. It only becomes active as the signal reaches peaks and approaches clipping. Then a gentle compression is added that, in a unifron mannar, becomes harder and harder as the signal approaches clip. The result is a background system, that has no affect on the general dynamics of the input, but prevents it from clipping.
Headphones
The rear panel has a 6.35mm jack socket for connecting headphones from 32-1000 ohms. The Spark features Glensound’s automatic impedance matching system. This means the relative headphone pot level will be consistent regardless of the impedance of the headphones used (as long as they are between 32-1000 ohms).
Power
Power is supplied on the network connection via an Neutrik EtherCON locking RJ45 connector. The SPARK must be connected to a PoE network switch for power, or by using a midspan PoE injector.
Talk Buttons
For clarity, the Spark uses a large and bright LED buttons for mic on. This can be configured via GlenController remote software, and can be set in the following way:
– Always on
– Always off
– Always on but muted when pressed (cough button)
– Latching on
– Momentary push to talk
– Intelligent (momentary and latching)
Headphone Mixer
The front panel has a small monitoring pot that is routed to the headphones from the inputs on the Dante network. This is a sprung pot that is kept flush with the panel when not in use. Pressing it in slightly allows it to spring out to make adjustments, and then return to the flush position. This method allowed the functionality of pots for the monitoring input, but also allowed us to keep the overall dimensions of the Spark to a minimum.
Using the GlenController remote, a total of 4 inputs can be adjusted directly (with only one adjustable directly on the unit) and each input can be set to a separate pan position. The pot can also be set to cut at the full anti clockwise position, or just to a dim level so that the user cannot turn the monitoring input all the way off. These features are also present on the further auxiliary and background monitoring inputs.
There are 4 further inputs to the headphone monitoring that can be adjusted on Glencontroller only:
– Sidetone to adjust the users own voice level in their headphones
– Aux 1 – Mono input direct to headphones controlled only in GlenController (Aux 1&2 controlled together)
– Aux 2 – Mono input direct to headphones controlled only in GlenController (Aux 1&2 controlled together)
– Bkg – Stereo input direct to headphones controlled only in GlenController.
– HP
Routing Table The Spark features 8 inputs and 8 outputs across the Dante network, but it only directly needs 4 inputs and outputs. This means that we have 4 inputs and 4 outputs on the network available for further use. Below we show how we utilise the I/O resource of the Spark to maximise its flexibility for various applications:
Mic/Line Input – This is the main mic/line input and can be switched to:
– The Main programme output on Dante out 1, via the top panel switch
– Talkback output 1 via Dante out 5, via GlenController only
– Talkback output 2 via Dante out 6, via GlenController only
– Talkback output 3 via Dante out 7, via GlenController only
– Permanent live output on Dante out 2
– It is also mixed via a top panel control into a two channel headphone output as sidetone monitoring.
Dante Inputs
– Cue input 1 via Dante in 1, is sent to the headphones via a top panel mix pot
– Cue input 2 via Dante in 2, is sent to the headphones via GlenController only
– Cue input 3 via Dante in 3, is sent to the headphones via GlenController only
– Cue input 4 via Dante in 4, is sent to the headphones via GlenController only
Further Outputs
Dante out 3 and 4 – These outputs are in parallel to what is sent to the users headphones, making the 2 channel headphone mix available on the network
Dante out 8 – This is a 1kHz tone for assisting with line up
System Control
The following settings on the Spark are configurable on the unit directly:
– Master headphone volume/panning
– Mic sidetone volume/panning
– Incoming call chime volume
Using the blue side panel buttons enables configuration mode directly on the Spark.
Using the Windows 10 app GlenController enables full remote configuration and monitoring and enables the following control:
– Talk button config options
– Mic input gain/pan
– Phantom on/off
– Compressor on/off
– Pot/switch lock
– Headphone levels volume/pan
– Mic sidetone volume/pan
– Headphone monitoring pot range
– Incoming call chime volume
– PPM meter per input
Multi Channel Sync With Your Computer Application
The Spark can easily connect with a PC or Mac and exchange bi-directional multi channel audio. To do this use the Dante Virtual Sound Card (VSC). This is very low cost and available directly from the Audinate web site at www.audinate.com. The Sparks I/O can then interface with any application running on a PC or Mac by simply selecting Dante VSC as its sound device.
This has been very popular when using browser based multi channel intercom and IP solutions.
Latest Dante Broadway Design
This Broadway Design can receive audio from multiple network connections, and allows a higher number of Dante inputs and outputs across the network. The design on the Spark actually presents itself on Dante Controller with 8 inputs, and 8 outputs (see routing table for further info)
Broadband, no-tune design
2 dB gain over a half wave
High-power handling
Anodised alloy construction
DC short for lightning protection
Collapsable in size for easier shipping
specification
Specifications
Antenna type
Dipole antenna
Frequency range
87.5-108 MHz
MAX power handling
800 Watts(each) 2kW with 7/16 conn.
Short-length PCI Express x1 format
4 AES/EBU inputs / 4 AES/EBU outputs
Optional High quality Sample Rate Converters (SRC) on all inputs: ratio 1:16 to 16:1, from 20 KHz to 216 KHz
Sample rates from 32 KHz up to 192 KHz
Synchronization: AES inputs, AES clock, word clock I/O, video sync
Superior frequency synthesis and clock jitter reduction through audio-specialized components
Supported sample formats: 16 bits, 24 bits, 32 bits, 32 bits float
Windows low latency drivers: DirectSound, ASIO and ALSA
Optional breakout box
ECO LINE – HIGH EFFICIENCY TRANSMITTER
Wideband circuits amplifiers with LD-Mos technology
Built-in exciter with digital frequency synthesiser
Stereo encoder, RDS, AES-ABU and Audio change-over built-in
Automatic fold-back ROS protection
Fold-back temperature protection
LCD display to check all operating parameters
3x1250W amplifier in only one heat-sink for highest reliability
3xSwitching-mode Power Supply – Efficiency >95%
Sealed duct cooling air with blowers
Easy removable blowers
Harmonics filter & directional coupler built-in 3 unit 19” standard rack
GSM Telemetry & TCP/IP Webserver
Headphone jack on front panel
specification
General Specification
Operating voltage
400VAC ±15% 3phases or
230VAC ±10% Monophase
Cooling
Forced air
Line power
< 4300VA
Operational temperature range
-5° to 50°C
Storage temperature range
-20° to 60°C
Output RF connector
7/8”
Monitor RF connector
BNC
Dimensions
485×310, 8x625mm
Weight
55 kg
Radio Frequency
Frequency range
87.5 to 108MHz
Frequency setting
in 10KHz or 100 KHz steps
Setting mode
By keys on the front panel/Remote
Frequency stability
< ±500Hz/year
Frequency generation
PLL synthesizer
Modulation type
direct VCO frequency modul. F3
Nominal frequency deviation
±75KHz
Deviation linearity in all freq. range
±5KHz
RF output power
3000 W ± 1 d B
Harmonics emission
<-70dBc
Spurious emission
<-95dBc
Modulation Capability
MONO (left and right)
30Hz to 15KHz
STEREO (L-R & AES-EBU)
30Hz to 53KHz
SCA + RDS
30Hz to 100KHz
Composite
Mono or Stereo + SCA + RDS
MPX Characteristics
Signal input
MPX
Composite Input impedance
10Kohm unbalanced
Input connector
BNC
Input level
Adjustable (Front/Remote)
Audio freq. response (30Hz to 60KHz)
< 0, 5 dB
Modulation distortion
<0.2%
Signal to noise ratio
>75dB
Stereo Characteristics
Signal inputs
Left or Right – AES-EBU
Input impedance
600ohm (bal.) or 10k ohm
Input connectors
Canon XLR
Unbalance rejection
>40dB
Input leve
Adjustable (Front/Remote)
Pre-emphasis
75 or 50uS
Audio frequency response (30Hz to 15KHz)
<0.25dB
Audio frequency response (19KHz to 100KHz)
>50dB
Cross-talk between left and right channel
>50dB
Distortion at frequency deviation of 75KHz
<0.1%
Signal to noise referred at deviation of 75KHz
>75dB
Suppression of 38KHz
>50dB
Spurious suppression outside band
in according to ETS 300-384
€6,385.00€5,995.00€1,060.50€1,010.00Glensound SPARK
Sub Compact Single User Commentary
The Glensound SPARK is the most technically proficient commentary or announcers interface available, from such a small design.
€1,610.00€1,530.00Description
Glensound SPARK
The Spark is the most technically proficient commentary or announcers interface available.
For applications where desk space is at a premium, but quality and features are still paramount, Glensound proudly introduce the Spark.
Spark – With single programme monitor input, and one master output
Glensound Grade Mic Amp
The Spark includes the highly regarded Glensound Grade mic amp system. This results in a clean audio input without distortion or clipping, that can be taken live to air with confidence and without any further processing. The mic input is on the rear panel via a 3 pin XLR socket. A small pot adjusts the gain level and there is a switch for 48v phantom power. Mic gain, phantom power and the compressor can also be set via the GlenController remote software.
Glensound Referee Compressor/Limiter System
Glensound has been fine tuning the way input signals are managed for decades. Glensound boxes are used in live news and sport environments, where the announcer can get immediately over enthusiastic, and be screaming down the microphone. Glensound manage this input in two ways. One by giving the input a high headroom to prevent clipping in the first place, then by using a specially configured compressor/limiter system. This system does not affect the general dynamics of the audio, so there is no lifting of levels. It only becomes active as the signal reaches peaks and approaches clipping. Then a gentle compression is added that, in a unifron mannar, becomes harder and harder as the signal approaches clip. The result is a background system, that has no affect on the general dynamics of the input, but prevents it from clipping.
Headphones
The rear panel has a 6.35mm jack socket for connecting headphones from 32-1000 ohms. The Spark features Glensound’s automatic impedance matching system. This means the relative headphone pot level will be consistent regardless of the impedance of the headphones used (as long as they are between 32-1000 ohms).
Power
Power is supplied on the network connection via an Neutrik EtherCON locking RJ45 connector. The SPARK must be connected to a PoE network switch for power, or by using a midspan PoE injector.
Talk Buttons
For clarity, the Spark uses a large and bright LED buttons for mic on. This can be configured via GlenController remote software, and can be set in the following way:
– Always on
– Always off
– Always on but muted when pressed (cough button)
– Latching on
– Momentary push to talk
– Intelligent (momentary and latching)
Headphone Mixer
The front panel has a small monitoring pot that is routed to the headphones from the inputs on the Dante network. This is a sprung pot that is kept flush with the panel when not in use. Pressing it in slightly allows it to spring out to make adjustments, and then return to the flush position. This method allowed the functionality of pots for the monitoring input, but also allowed us to keep the overall dimensions of the Spark to a minimum.
Using the GlenController remote, a total of 4 inputs can be adjusted directly (with only one adjustable directly on the unit) and each input can be set to a separate pan position. The pot can also be set to cut at the full anti clockwise position, or just to a dim level so that the user cannot turn the monitoring input all the way off. These features are also present on the further auxiliary and background monitoring inputs.
There are 4 further inputs to the headphone monitoring that can be adjusted on Glencontroller only:
– Sidetone to adjust the users own voice level in their headphones
– Aux 1 – Mono input direct to headphones controlled only in GlenController (Aux 1&2 controlled together)
– Aux 2 – Mono input direct to headphones controlled only in GlenController (Aux 1&2 controlled together)
– Bkg – Stereo input direct to headphones controlled only in GlenController.
– HP
Routing Table
The Spark features 8 inputs and 8 outputs across the Dante network, but it only directly needs 4 inputs and outputs. This means that we have 4 inputs and 4 outputs on the network available for further use. Below we show how we utilise the I/O resource of the Spark to maximise its flexibility for various applications:
Mic/Line Input – This is the main mic/line input and can be switched to:
– The Main programme output on Dante out 1, via the top panel switch
– Talkback output 1 via Dante out 5, via GlenController only
– Talkback output 2 via Dante out 6, via GlenController only
– Talkback output 3 via Dante out 7, via GlenController only
– Permanent live output on Dante out 2
– It is also mixed via a top panel control into a two channel headphone output as sidetone monitoring.
Dante Inputs
– Cue input 1 via Dante in 1, is sent to the headphones via a top panel mix pot
– Cue input 2 via Dante in 2, is sent to the headphones via GlenController only
– Cue input 3 via Dante in 3, is sent to the headphones via GlenController only
– Cue input 4 via Dante in 4, is sent to the headphones via GlenController only
Further Outputs
Dante out 3 and 4 – These outputs are in parallel to what is sent to the users headphones, making the 2 channel headphone mix available on the network
Dante out 8 – This is a 1kHz tone for assisting with line up
System Control
The following settings on the Spark are configurable on the unit directly:
– Master headphone volume/panning
– Mic sidetone volume/panning
– Incoming call chime volume
Using the blue side panel buttons enables configuration mode directly on the Spark.
Using the Windows 10 app GlenController enables full remote configuration and monitoring and enables the following control:
– Talk button config options
– Mic input gain/pan
– Phantom on/off
– Compressor on/off
– Pot/switch lock
– Headphone levels volume/pan
– Mic sidetone volume/pan
– Headphone monitoring pot range
– Incoming call chime volume
– PPM meter per input
Multi Channel Sync With Your Computer Application
The Spark can easily connect with a PC or Mac and exchange bi-directional multi channel audio. To do this use the Dante Virtual Sound Card (VSC). This is very low cost and available directly from the Audinate web site at www.audinate.com. The Sparks I/O can then interface with any application running on a PC or Mac by simply selecting Dante VSC as its sound device.
This has been very popular when using browser based multi channel intercom and IP solutions.
Latest Dante Broadway Design
This Broadway Design can receive audio from multiple network connections, and allows a higher number of Dante inputs and outputs across the network. The design on the Spark actually presents itself on Dante Controller with 8 inputs, and 8 outputs (see routing table for further info)
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Specifications
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Frequency range
87.5-108 MHz
MAX power handling
800 Watts(each) 2kW with 7/16 conn.
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Sample rates from 32 KHz up to 192 KHz
Synchronization: AES inputs, AES clock, word clock I/O, video sync
Superior frequency synthesis and clock jitter reduction through audio-specialized components
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General Specification
Operating voltage
400VAC ±15% 3phases or
230VAC ±10% Monophase
Cooling
Forced air
Line power
< 4300VA
Operational temperature range
-5° to 50°C
Storage temperature range
-20° to 60°C
Output RF connector
7/8”
Monitor RF connector
BNC
Dimensions
485×310, 8x625mm
Weight
55 kg
Radio Frequency
Frequency range
87.5 to 108MHz
Frequency setting
in 10KHz or 100 KHz steps
Setting mode
By keys on the front panel/Remote
Frequency stability
< ±500Hz/year
Frequency generation
PLL synthesizer
Modulation type
direct VCO frequency modul. F3
Nominal frequency deviation
±75KHz
Deviation linearity in all freq. range
±5KHz
RF output power
3000 W ± 1 d B
Harmonics emission
<-70dBc
Spurious emission
<-95dBc
Modulation Capability
MONO (left and right)
30Hz to 15KHz
STEREO (L-R & AES-EBU)
30Hz to 53KHz
SCA + RDS
30Hz to 100KHz
Composite
Mono or Stereo + SCA + RDS
MPX Characteristics
Signal input
MPX
Composite Input impedance
10Kohm unbalanced
Input connector
BNC
Input level
Adjustable (Front/Remote)
Audio freq. response (30Hz to 60KHz)
< 0, 5 dB
Modulation distortion
<0.2%
Signal to noise ratio
>75dB
Stereo Characteristics
Signal inputs
Left or Right – AES-EBU
Input impedance
600ohm (bal.) or 10k ohm
Input connectors
Canon XLR
Unbalance rejection
>40dB
Input leve
Adjustable (Front/Remote)
Pre-emphasis
75 or 50uS
Audio frequency response (30Hz to 15KHz)
<0.25dB
Audio frequency response (19KHz to 100KHz)
>50dB
Cross-talk between left and right channel
>50dB
Distortion at frequency deviation of 75KHz
<0.1%
Signal to noise referred at deviation of 75KHz
>75dB
Suppression of 38KHz
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Spurious suppression outside band
in according to ETS 300-384
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