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Randall Concepts Ranger 4

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Weight

18 kg

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Cue lights Receivers for off-air monitoring Cell phone , telephone and Skype interfaces for phone-in programmes Extra recorders and headsets Work lights powered from the suitcase – self-contained operation when operating from a car battery or generator Production laptop configured identically to the one in the case so it can be used as a spare Additional cables and equipment for use with the full disaster response kit Transformer coupled interfaces to link with PA systems Interfaces for car modulators and other audio accessories Hardware codec and comms equipment to link to the radio station via 3G , WiFi or cabled internet connection.

Solidyne 2600

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Original price was: €8,795.Current price is: €8,372.
Weight

2 kg

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Specifications Audio Inputs 2 (two) stereo inputs each module; One balanced stereo line (or mono Mic in 2610 & 2612); and one unbalanced AUX. Option USB 2602 , 2 stereo Digital inputs & 2 stereo Digital outputs by USB Inputs Level/Impedance Balanced MIC= -25 dBu/-80 dBu; 150/250 Ohms Balanced LINE = -20 dBu/+22 dBu; 600~ 10Kohms Unbalanced AUX = -20 dBu/+15dBu; 600~ 10Kohms Inserts for both MIC inputs in microphone modules. Stereo insert for LINE A in LINE modules. Phantom 48v Standard phantom 48V power supply for up to 10 microphones. Outputs 3 bus outputs; PGM & AUD balanced + 4 dBm; AUX Unbalanced + 4 dBm Balanced Outs; Max Level +26dBu (10K) , +20dBm (600ohms) Unbalanced Outs; Max Level = +20dBm/600 ohms Optional Digital AES/EBU output for PGM & AUD. Digital Levels AES-3/SPDIF outputs TCP/IP & USB inputs & outputs; 0VU RMS is set at -15dB Ref Full Scale level. 0dB Peak is set to 100% Full Digtal Scale Monitor & Hybrid Outputs 1 Separate Hybrid CUE , +4dBu / 10K 1 Hybrid On-Air Receive + 4 dBu/10K 1 Hybrid send (MIX-Minus) +4 dBu / 10K CUE Monitor Internal Monitor Amplifiers: 3W CUE monitor with internal speaker. 2 Stereo Monitor outputs; Control Room & Studio , with Muting Relays (line level). Microphone Processor Optional MIC module model 2612 , 160mm wide , with 3 MIC with processing facilities. 4 band EQ , 80 Hz and 10 kHz shelving , 160 Hz & 5 kHz bell shaped; +/- 14 dB action. Expander Gate to eliminate backgound noise. Audio Compressor , 20 dB action. Iluminated switchs for EQ and Compressor-Expander Monitor & Hybrid Outputs 1 Separate Hybrid CUE , +4dBu / 10K 1 Hybrid On-Air Receive + 4 dBu/10K 1 Hybrid send (MIX-Minus) +4 dBu / 10K Headroom 22 dB @ LIN to PGM Ref + 4dBu/10 k Digital Control Bus One Start Devices output for each input module , to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF = Open Manages 0-24 V DC @ 100 mA Frequency response 20-20.000 Hz +/- 0.25 dB (LIN or MIC to PGM) Noise MIC input , EIN=-132 dBu/150 ohms LINE input , S/N > 95 dBA at PGM output Dynamic Range From Line to PGM > 110dBA (Better than CD quality) Crosstalk PGM-AUD-SEND > 90 dBA @30-10.000 Hz L-R & R-L > 80 dBA @ 1khz Distortion From LINE to PGM out < 0.01 % THD @30-15.000 Hz From MIC to PGM out < 0.01 % THD @30-15.000 Hz Phase From Line to PGM , < 2º L&R @50-10.000 Hz Stereo tracking Below 0.2 dB error L/R in fader range 0 to 40 dB Phone Hybrid 3 Hybrid inputs , 2 for phone lines and one for cellular phone at 4 wires. It includes a mini-PBX with Ringer , Line attention with free hands operation , and Line Transfer. Talkback Microphone Included Talkback MIC , with Audio Limiter. Noise Cancelled PZM type / Outputs to Phone Line Hybrid and Studio Speaker with AutoSwitch (AutoSwitch allows one-touch Studio communication) VU-meters 2600XL: 4 digitally controlled VUmeters 24 steps of 1 dB , DUAL type (RMS & Peak) for PGM & AUD. One Timer/Clock and one Stereo Phase Vector display Timer /Clock Option Timer counts minutes: seconds during on-air MIC in order to avoid excessive speaker on-air time When the Timer is off , a standard clock is activated ON-AIR Signal ON-AIR signal output (turns on when MIC is open) 12 VDC @ 0 , 3 amp Start external devices One Start Devices output for each input module , to start external devices when open each channel fader. Out at minijack 1/8" // Ring = A channel (left side) Tip= B channel (Rigth side) Open collector OFF= Open. Manages 0-24 VDC @ 100 mA. This allows to control Virtual Rack processors and start audio devices. Power 110-127 V / 190-240V , with switch , 50/60 hz , 80 VA Dimensions & Weight XL model: 840 wide x 585 depth x 135 height – Weight 15 Kg BOX : 90 x 65 x 25 cm , 2 Kg 2600XD: 845mm wide , 635mm depth , 125 mm height – Weight 15 Kg BOX: 90 x 70 x 20 cm , 2 Kg

Solidyne D612

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Original price was: €2,400.Current price is: €2,285.
Weight

4.7 kg

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D612 Digital & Analog Console Audio Inputs 4 balanced MIC inputs (XLR) 2 balanced stereo Line inputs (DIN 5) 3 unbalanced stereo Line inputs (RCA) 1 Digital stereo Line input (USB) Inputs Level & Impedance Balanced MIC= -10 dBu/-75 dBu; 150 / 250 Ohms Balanced LINE = -20 dBu / +26 dBu; 600~ 10Kohms Unbalanced LINE = -15 dBu / +12 dBu; 600~ 10Kohms Phantom Power Two MIC inputs have 48 V phantom power supply , switchable ON / OFF Analog Outputs 2 bus stereo outputs; PGM (6 , 35mm , TRS plug) & REC (RCA connector) Both at + 4 dBm = 0 VU PGM balanced: Max Level +26dBu (10K) , +20dBm (600 ohms) REC unbalanced , Max level 20 dBu External Hybrid: unbalanced Mic-Minus out at + 4 dBu Digital USB Input / Output USB digital In/Out; Input to channel 5; Output to PGM or REC It uses the K15 Overload recommendation for broadcating; Then , 0 VU is at -15 dB Full Scale level ON-AIR Signal ON-AIR Tally Light output (turns on when MIC is open) 12 V CC @ 0 , 12 amp (two Solidyne On-Air lights) Monitor & Hybrid Outputs 1 Stereo Studio , 0 dBu for active speakers , muted 1 Stereo Control , 0 dBu for active speakers , muted 1 Stereo Studio Headphones , with Distribution AMP up to 5 headphones , + 10 dBu 1 Stereo Control Headphones , + 10 dBu 1 External Hybrid send (MIX-Minus) +4 dBu / 10K CUE Monitor Internal CUE Monitor Amplifier; 250 mW , with speaker included Headroom 22 dB @ LIN to PGM Ref + 4dBu/10 k Frequency Response 20-20.000 Hz +/- 0.25 dB (LIN to PGM) 20-20.000 Hz +/- 0 , 5 dB (MIC to PGM) MIC Equalizer Four Bands MIC EQ with In/Out switch; 80 Hz top flat curve , 160 Hz bell shaped , 4 kHz bell shaped , 8 kHz top flat curve Action + 15 dB / -15 dB MIC Compressor Low distortion MIC compressor with In/Out switch. 20 dB max compression. Attack time < 10 ms. Threshold = 0 VU Compression ratio: < 2 dB variation for 15 dB change MIC level Noise MIC input , EIN=-120 dBu / 150 ohms LINE input , S/N > 75 dBA Dynamic Range From Line to PGM > 90 dBA (CD quality) Crosstalk PGM-REC > 65 dBA @ 1 kHz Distortion From LINE to PGM out < 0.03 % THD @30-15.000 Hz Phase From Line to PGM , < 3º L&R @50-10.000 Hz Stereo Tracking Below 0.2 dB error L/R in fader range 0 to 40 dB Telephone Hybrid Specs Two channel telephone active Hybrid: One phone line plus one cellular (Bluetooth linked) Frequency Response: 200 – 5.000 Hz Noise: > 60 dBA S/N Rejection: > 35 dB rejection NULL adjust in front panel preset Preference atenuator: 12 dB local announcer interrupt priority Telephone input lightning discharge safety Telephone Hybrid input is transformer floating to meet the Public Telephone Service isolation standards. It is protected with SIOV Varistors against soft lightning discharges. External gas discharge protection is recommended Talkback Microphone Included Talkback MIC , with Audio Limiter. Noise Cancelled PZM type. Outputs to Phone Line Hybrid or Studio Speakers & Headphones. VU-meters & Compression Level 2 x LED VUmeters for PGM. Cuasi peak reading Microphone compressor level meter 0 – 15 dB AoIP Optional TCP / IP Digital Streaming Output Ethernet RJ45 connection to a standard LAN (Option /AoIP) Used for sending D612 output to transmitter plant with MP3 Internet streaming or using a 5 , 8 GHz 802. Link Also can be used for AoIP connection with another console located inside or outside studios It can work in linear PCM at 44.1 & 48 kHz or MP3 VBR On-Air information using GPIO for remote processors AoIP Delay and user modes MP3 Layer 1 (32 , 44.1 and 48 kHz) MP3 Layer 2 (16 , 22.05 and 24 kHz) 16bit PCM uncompressed (8 , 16 , 32 , 44.1 & 48 kHz) Full duplex (transmitting and receiving) Delay using PCM at 48 kHz Fs (recommended) Less than 5 mS Delay using MP3 streaming. Average 100 mS Power Switching external power supply 90-240 V , 20VA [28V@0 , 57A] Dimensions & Weight Wide: 405 mm; Deep: 385 mm; Height: 95 mm at rear turret Net Weight: 4.7 Kg

features

8 channels , with 5 faders with connectors (used to change it without soldering) 12 stereo inputs:                   4 balanced MIC                   2 LIN balanced (DIN 5) ,                    3 LIN unbalanced (RCA) ,                    1 digital input USB ,                    2 Hybrid telephone (RJ11 & Bluetooth) ,                    1 Monitor Air (Jack 6.35 mm) 4 outputs stereo;  a) Digital: A digital stereo USB output , selectable PGM or REC  b) Analog: Program (PGM) balanced & Recordings (REC) unbalanced External Hybrid (In / Out). 5 Monitor Stereo Outputs , with muting logic; Speakers Studio , Studio Headphones (with Distributor Amplifier) ,   Control Speakers , Headphones Control , CUE mono (with amplifier and internal speaker).  4 Band EQ Mic Microphone Audio Compressor Low Silhouette , flush mounting on any table without cutting it Hybrid with Bluetooth wireless cellphone Professional Attenuators 100mm Conductive Ceramic 15-year life Option AoIP to transmit digital audio over Ethernet / Internet External switching power supply: 90-240 V / / 50 / 60 Hz Output: 28 V 0 , 55 A

Sound Devices MixPre-D Compact Field Mixer

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Weight

0.7 kg

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MixPre-D Specs: Frequency Response 20 Hz – 30 kHz , +0.2 , -0.5 dB (relative to 1 kHz level with 150 ohm source , gain controls set at 50%) Equivalent Input Noise -126 dBu (-128 dBV) maximum mic in to line out , (150 ohm source , flat weighting , 22 Hz – 22 kHz bandwidth , gain control set at 50% or higher , phantom power off) Input Clipping -10 dBu minimum (mic level) , +28 dBu minimum (line level) Output Clipping Level Line: +22 dBu minimum with 100k ohm load Mic: -18 dBu minimum with 100k ohm load Gain Mic to Line , max: 66 dB Line to Line , max: 26 dB Line to Mic , max: -14 dB Mic to Mic , max: 26 dB Mic (TA3) relative to Line out: -36 dB Dynamic Range 110 dB minimum , mic input to line output THD + Noise 0.05% maximum (from 50 Hz to 22 kHz @ +4 dBu output level) Common Mode Rejection Ratio 100 dB minimum at 80 Hz , 60 dB minimum at 10 kHz Inputs Transformer-balanced , 2k mic input impedance , 16k line input impedance Outputs XLR-Line/Mic: active-balanced , 100 ohm output impedance XLR-AES3: balanced , 110 ohm , two-channel , on right XLR connector TA3: unbalanced mic-level output , pin-2 left , pin-3 right , pin-1 ground , 200 ohm output impedance Tape (3.5 mm) Unbalanced , tip-left , ring-right , sleeve-ground , 2.1k ohm output impedance A/D Converter for USB 103 dB typical , A-weighted; sample rate selectable 44.1k , 48k , or 96k Output Noise -100 dBu (-102 dBV) maximum (22 Hz – 22 kHz bandwidth , flat filter) High Pass Filters 80 Hz or 160 Hz (switch selectable) , 6 dB per octave Phantom Power 12-volt through 680 ohm resistors or 48-volt through 6.8k resistors (switch selectable) Limiter Threshold adjustable , +8 dBu to +18 dBu , 20:1 limiting ratio , 1 mS attack time , 200 mS release time. Metering 16 segment x 2 GaN (Gallium Nitride) meters , peak + VU responding , wicked bright Power Internal: 2 AA alkaline batteries , 4 hours life typical , no phantom power External: 10-17 VDC via 4-pin Hirose , pin 4 = + , pin 1 = - , completely isolated floating supply USB Connectivity USB class-compliant device , analog input to USB output , USB monitoring in headphones Temperature Operating: -20°C to 60°C , 0 to 95% relative humidity; (non-condensing) , storage: -40°C to 85°C Weight 0.7 kg , 1.5 lbs with batteries Dimensions 43 mm x 94 mm x 140 mm (h x w x d) , (1.7" x 3.7" x 5.5")

Color

Black

Sound Devices 302 Compact Field Production Mixer

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Weight

0.85 kg

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302 Specs: Frequency Response: 20 Hz – 30 kHz , +0.2 , -0.5 dB , -1 dB @ 5 Hz and 50 kHz typical Equivalent Input Noise: -126 dBu (-128 dBV) maximum (22 Hz – 22 kHz bandwidth , flat filter , trim control fully up) Input Clipping Level: 0 dBu minimum (trim control fully down) Line Output Clipping Level (1% THD): 20 dBu minimum , 18 dBu minimum with 600 ohm load Dynamic Range: 115 dB minimum (trim fully down) THD + Noise: 0.007% typical (1 kHz , +4 dBu at Line out) , 0.009 max (50 Hz to 20 kHz , +18 dBu at line out , fader fully up) Output Noise -100 dBu (-102 dBV) maximum (22 Hz – 22 kHz bandwidth , flat filter , master gain fully up , faders fully down) L/R Gain Matching: +/- 0.1 dB (Mic In to Line Out) Metering: 40-segment , sunlight-viewable Selectable peak , VU , or peak (with or without peak hold) + VU ballistics High-Pass Filters: Switchable 80 Hz or 160 Hz , 12 dB/oct , silent activation Mic Powering (each mic selectable): None , 12 V phantom , 48 V phantom , 12 V T-power , selected per mic input Input Limiters: +18 dBu threshold , 20:1 limiting ratio , 1 mS attack time , 200 mS release time. Output Limiters: Affects the outputs of the mixer. Threshold selectable from +4 dBu to +20 dBu , 1 dB steps , 20:1 limiting ratio , 1 mS attack time , 200 mS release time Power supply: Internal ±16 V (bi-polar) regulated audio rails , 2.4 – 6 V range internal batteries , isolated (floating) external DC input jack , 5-18 V locking 4-pin Hirose connector , pin-4 = (+) , pin-1 = (-) Temperature: Operating: -20°C to 60°C , 0 to 95% relative humidity; (non-condensing) , storage: -40°C to 85°C Weight: 0.85 kg , (1.8 lbs) unpackaged with three alkaline AA batteries Dimensions: 47 mm x 214 mm x 114 mm (H x W x D) , 1.8" x 8.4" x 4.5"

features

Front Panel Coarse channel gain (trim) control Channel fader Two-position high-pass filter switch Channel limiter activity LED Channel peak activity LED Pan switch , left , center , right Limiter activation switch , dual-mono or stereo link 40-segment tri-color LED output meter Headphone volume control Power LED shows green on power; flashes when power is low Power switch selects internal AA-batteries or external DC Meter illumination brightness switch Meter ballistics toggle switch Battery check switch Slate mic / tone oscillator switch Input Panel Transformer-balanced mic/line XLR input Mic / line input sensitivity switch Phantom , dynamic , or T powering switch 48 V or 12 V global phantom voltage 3.5 mm TRS headphone output connector Output Panel Active-balanced line level ouput (user adjustable to mic or attenuated levels) Tape Out / Mix Out connection on TA3 connector – duplicate of program audio Monitor return input on 3.5 mm TRS unbalanced input (also functions as input 4/5 connector) Monitor return input level (also functions as input 4/5 level control) Mix In connection input to link a MixPre , 442 , or another 302 Input 4/5 enable LED indicates that Monitor return functions as inputs 4/5 Ouput Attenuation LED indicates that XLR output level attenuated from Line level Battery tube – holds 3 AA batteries External DC input for 5 – 17 VDC

Color

Black

Sound Devices 552

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Weight

2 kg

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552 Specs: Frequency Response 10 Hz – 50 kHz , +/-0.5 dB THD + Noise 0.09% max (50 Hz – 20 kHz , +18 dBu at line out , fader fully up) Equivalent Input Noise -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth , flat filter , trim control fully up) Maximum Input Level XLR mic – 0 dBu (0.78 Vrms) XLR line – +40 dBu (80 Vrms) RTN A , B – +24 dBu (12.4 Vrms) Maximum Gain 93 dB – mic in to line out 53 dB – mic in to mic out 79 dB – mic in to tape out 107 dB – mic in to headphone out Input Type XLR mic – Transformer-balanced for use with <600 ohm mics XLR line – Transformer-balanced for use with 2k ohm outputs RTN A , B (3.5 mm , TA3 , 10-Pin) – Unbalanced stereo for use with 2k ohm outputs Input Impedance (ohms actual): XLR mic – 2k ohms XLR line – 16k ohms RTN A , B – 20k ohms Input Clipping Level 0 dBu minimum (trim control fully down) Common Mode Rejection Ratio 120 dB minimum at 80 Hz , mic input , 100 dB minimum at 10 kHz , mic input High-Pass Filters sweepable 80 Hz to 240 Hz , 12 dB/oct at 80 Hz , 6 dB/octave at 240 Hz Mic Powering (each mic selectable): no power applied 12 V Phantom – through 680 ohm resistors , 10 mA per mic available 48 V Phantom – through 6.8k resisters , 10 mA per mic available Input Limiters affects the output of the mic preamps only ('Trim' stage) , +18 dBu threshold , 20:1 limiting ratio , 1 mS attack time , 500 mS release time. Output Type XLR Line – Transformer-balanced for use with >600 ohm inputs XLR -10 – Transformer-balanced for use with >10k ohm outputs XLR Mic – Transformer-balanced for use with >600 ohm inputs 10-Pin Line – Transformer-balanced for use with >600 ohm inputs 10-Pin -10 – Transformer-balanced for use with >10k ohm outputs 10-Pin Mic – Transformer-balanced for use with >600 ohm inputs TA3 Balanced Mic and Line: pin-2 and 3 driven , for use with >3k ohm inputs TA3 Direct Outputs Mic and Line: pin-2 and 3 driven , for use with >3k ohm inputs Tape Outs (3.5 mm and TA3-Type): Unbalanced , stereo , for use with >6k ohm inputs Mono Mic Out: Unbalanced , mono , for use with >600 ohm inputs Headphones (3.5 mm and 1/4"): Unbalanced , stereo , for use with 8-2k ohm headphones Output Impedance (ohms actual): XLR – 85 ohms at Line setting , 3.2k ohms at -10 setting , 150 ohms at Mic setting 10-Pin – 85 ohms at Line setting , 3.2k ohms at -10 setting , 150 ohms at Mic setting TA3 Balanced Outs – 1k ohms at Mic and Line settings TA3 Direct Outs – 1k ohms at Mic and Line settings Tape Outs (3.5 mm and TA3-type) – 1.8k ohms Mono Mic Out- 150 ohms Headphones (3.5 mm and 1/4") – 50 ohms Line Output Clipping Level: (1% THD) 20 dBu minimum with 10k load Maximum Output Level Line (XLR , 10-Pin , TA3 Balanced and Direct Outs) – +20 dBu (7.8 Vrms) -10 (XLR , 10-Pin , TA3 Balanced and Direct Outs) – +6 dBu (1.5 Vrms) Mic (XLR , 10-Pin , TA3 Balanced and Direct Outs) – -20 dBu (0.078 Vrms) Tape Outs – +6 dBu (1.5 Vrms) Mono Mic Out – +6 dBu (1.5 Vrms) AES3 Output Balanced AES Out A , B on XLR connectors , 110 ohm , 2 V p-p , AES and S/PDIF compatible with RCA adaptor Recording Media Type Secure Digital High Capacity (SDHC) , Secure Digital (SD) FAT32 formatted , will format media on-board Recording File Type WAV – 2-Track Polyphonic , 16 bit , 24 bit MP3 – 2-Track Polyphonic , 64 kb/s , 128 kb/s , 192 kb/s , 320 kb/s fixed file name using date/time as file name , daily folders Time Code Reads external timecode received and stamps BEXT/iXML header for WAV , stamps ID3 tag for MP3 Frame rates – (auto-sense) 23.976 , 24 , 25 , 29.97DF , 29.97ND , 30DF , 30ND , 30+ Input – 20k input impedance , 0.3V-3.0V p-p. Sampling Frequency 44.1 kHz , 48 kHz , 88.2 kHz , 96 kHz A/D 24 bit , 96 kHz maximum sampling rate A/D Dynamic Range 103 dB , A-weighted bandwidth typical Output Limiters Affects the outputs of the mixer Threshold selectable from +4 dBu to +20 dBu , 1 dB steps , 20:1 limiting ratio , 1 mS attack time , 500 mS release time. Powering internal ±16 V (bi-polar) regulated audio rails , 3.2-8 V range internal batteries , isolated (floating) external DC input jack , 5-18 V Locking 4-pin Hirose connector , pin-4 = (+) , pin-1 = (-) , Temperature operating: –20°C to 60°C , 0 to 90% relative humidity; (non-condensing) , storage: –40°C to 85°C Metering 42 segment , sunlight-viewable , selectable Peak , VU , or Peak + VU ballistics Weight 2.0 kg , (4 lbs 6 oz.) unpackaged without four alkaline AA batteries Dimensions 53 mm x 279 mm x 168 mm (H x W x D) , 2.1” x 11 x 6.6"

Color

Black

AEQ FORUM IP Split

In stock

Original price was: €11,030.Current price is: €10,050.

RAmiaudio COMPACT3

In stock

Weight

15 kg

Dimensions

45 × 60 × 10 cm

AXEL Oxygen 3 st

In stock

Weight

6 kg

Dimensions

40 × 50 × 20 cm